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Maitama

Maitama
Montecara Film Festival Poster for Maitama
Directed by	Tuni Tangaza
Written by	Tuni Tangaza Tomás Mijinyawa
Based on	L'euphorie by Tomás Mijinyawa
Produced by	Sule Gwani
Starring	Atiku Mangou Haruna Lamine Amina Zaria
Cinematography	Danladi Choge
Edited by	Sammako Dauda
Music by	Sahura Garba
Release dates	22 October 2023 (2023-10-22) (Montecara Film Festival) 2 November 2023 (2023-11-02) (Kitaubani) 22 November 2023 (2023-11-22) (global)
Running time	97 minutes
Country	Kitaubani
Languages	Hausa X

Maitama is a 2023 Kitauban biographical drama film about the life of purported faith healer/con artist Alhaji Nuruddeen Maitama. Directed by female director Tuni Tangaza, it features longtime actor Atiku Mangou as Maitama, and follows the latter's rise and fall in a non-chronological format. The film was largely produced through funds procured by Tangaza's own production company and through her personal influence in the world of cinema.

The film borrowed heavily from Paretian-born Kitauban journalist Tomás Mijinyawa's 1994 exposé L'euphorie. This book was widely credited with bringing accusations of Maitama's fraud to worldwide attention, eventually leading to his arrest; as a result, Mijinyawa served as both a consultant and a writer during production. As Mijinyawa was at one time a personal confidant of Maitama, the film intimately explores the psyche of Maitama, and frames the discussion around his mission as a question of motivation; that is, whether Maitama was a fraud or merely deluded. As a result, the film explores themes of mental illness and its stigmas in Kitauban society, deception, faith, sectarianism, and the wider socio-political context of Kitaubani in the 1990s, during the time when Maitama came to prominence. The film mixes realistic and surrealistic visuals in order to either make the thought processes of Maitama more relatable to viewers or portray some of his claims as so absurd as to be fabricated for the sole purpose of deception. The film has been noted to resemble the conventions of a music biopic, as it portrays similarities between Maitama's fame and the popularity cycle of celebrity musicians.

Plot

The film opens in 1996, on Maitama (Atiku Mangou) being incarcerated at Gashi's notorious Department XII Prison following his murder conviction. The prison bus is slow to enter the prison grounds; throngs of people choke the street in front. The crowd is divided: on one side stand the remaining faithful, a smaller crowd than Maitama's detractors but nonetheless equally vigorous and loud in their protestations. At times, the bus is even rocked by protestors and counterprotestors alike. Inside the bus, the guards flanking Maitama are sat unusually far from him; it is unclear to the audience whether it is out of disgust or reverence. Maitama maintains an aloof, vacant smile with slightly upturned eyes throughout, even while being booked in the prison and tossed unceremoniously into an empty cell. After surveying the cell, Maitama discovers a set of glyphic marks on the stone brick wall. Tracing his fingers over each glyph, Maitama briefly relives moments from his tumultuous childhood in the rural Sule Department. Visions of hardship and joy overlap, steadily becoming more and more visible on the screen until they appear as if they were projected onto the wall in front of Maitama.

Eventually, Maitama finds the implement with which the glyphs were made, and decides to carve his own. As he begins, the first of the film's many breaks with reality happens as the implement breaks through the wall (previously implied to be several inches thick) to reveal a scene from Maitama's life: the younger Maitama struggling to escape a brush fire. The current Maitama watches his younger self struggle to find shelter from the flames. Eventually, the older Maitama rushes forth to help the younger escape; from the latter's perspective, the former resembles his deceased father, and assumes that his ancestral spirit had come to guide him to safety. (In reality, this event was cited by Maitama as the inciting incident for his ministry.) Following the rescue, Maitama finds himself returned to his cell, with no signs of the previous calamity aside from stray ash on the floor. The story follows him to the exercise yard, which is beyond maximum capacity. As Maitama stares at the sky, a cry greets him. Upon turning around, he sees

The final scene of the movie features the morning after Maitama awakes from this dream. Though the course of the "prison section" of the film is implied to have only taken place over less than 24 hours, Maitama appears to have visibly aged since the scene of his incarceration. As he lies awake in his bed, trembling from leftover fear, a hole appears in his cell wall as a neighboring prisoner tunnels into his cell. Through the peephole, the prisoner can see Maitama, and begins asking him to join his escape attempt. From Maitama's perspective, however, all he sees is a glimpse of his younger self escaping the fire. Rather than helping his younger self to safety, as he had done before, Maitama watches as the fire catches up and consumes him. The neighor's confused queries into Maitama's expression come across to Maitama as desperate, final pleas for help from his younger self; the final shot zooms in on Maitama's eye through the peephole, as the screams crescendo until they abruptly end, implying that he let his younger self be consumed by the flames.