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In 1867 the Viscount Donnchadha of Caldia was staying at the hotel. As reported by his fellow guests, at around 8:15, when he was scheduled for his dinner at the hotel's restaurant, he fell through one of the internal windows into the luxurious ''Cour d'argent'', an internal garden and courtyard. He told hotel staff that he was "tired and emotional" before two prostitutes emerged and asked after the viscount's health, before helping him return to his room to nurse his bruises.
In 1867 the Viscount Donnchadha of Caldia was staying at the hotel. As reported by his fellow guests, at around 8:15, when he was scheduled for his dinner at the hotel's restaurant, he fell through one of the internal windows into the luxurious ''Cour d'argent'', an internal garden and courtyard. He told hotel staff that he was "tired and emotional" before two prostitutes emerged and asked after the viscount's health, before helping him return to his room to nurse his bruises.
Throughout its existence, the Grand Bandar catered to the needs of the Gaullican monarchy. Evelin's funeral wake was held at the hotel, as were the receptions of Albert III's marriage and his subsequent wedding anniversary parties.


== Architecture ==
== Architecture ==

Revision as of 20:03, 20 January 2021

The Grand Bandar, before and after.
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The original Grand Bandar served as a hotel within the Val de Mareine, catering to nobility and nouveau-riches alike
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When rebuilt and restored in the 1940s, the Grand Bandar took on a decidedly modernist architectural style and attempted to operate as a hotel before being bought by the Gaullican state for historical purposes.

The Grand Bandar is a historic site and museum within the spa town of Aubusson in the Val de Mareine. Historically, the Grand Bandar was a grandiose mountainside resort utilised by the elements of both aristocratic and industrial society.

Prior to the Great War the mountainside resort became a popular destination for holidaying amongst the upper ranks of the Parti Populaire, so much so that Rafael Duclerque - the Gaullican Premier at the time - acquired the building for himself. Made impractical and thoroughly bombed during the Great War, the building fell into disrepair and ruin.

Following a failed attempted rebuilding and reopening in a new architectural style, it was bought by the Gaullican state in the 1950s to serve as a museum of anti-functionalism as well as catalogue the foundation of the Gaullican Republic.

Internationally renowned for its reconstruction and change in architectural style, the Grand Bandar receives an average of 6.7 million tourists a year. Notable exhibits include a preserved room utilised by Duclerque and a room dedicated to the preserved speeches of Albert Montecardé.

Background and history

Imperial Residency

Valery Bonhomme was tasked with surveying and purchasing the plot of land for the royal estate.

In the early 18th century, Charles X commissioned his court to locate a suitable location in the country, far from the Ile de Fleur, for the royal family to have their winter retreat. Originally a far smaller complex, the winter residency was decided to encompass the monarch's passions: hiking, painting, hunting and exploration. Bonhomme, who led the royal's mission into purchasing land, was suitably impressed by a location near the small mountainside village of Aubusson.

Purchasing a plot of land for the monarch originally proved difficult due to a lack of interest in selling from Charles Armand, the count of Montsesleaux. Armand was not interested in selling and it was only when he died in 1703 that his widow sold the land to Bonhomme at a significantly lower price than the royals were originally interested in paying. The Imperial Estate logged its payment for the plot of land outside of Aubusson as "inconsequential". The following year, Charles died of complications from stomach ulcers and the project remained in limbo for some time.

However, by 1707, at the request of Charles' son Louis - who now ruled - the establishment of a winter residency at Aubusson continued. His specific interests varied from his father and the grounds were expanded to include room for fishing, horse back riding and extensive shooting. Louis also ordered a library to be constructed.

Much of the work was undertaken by the architect Anne-Hilarion, who was renowned at the time for the facades of numerous royal residences in the capital of Verlois. By this point the residency itself had taken the name of the "petit palais d'Aubusson", often just the "petit palais". It was actually named Château d'Aubusson, but the name was not as popular within writings between the aristocracy as its nickname.

Throughout the succeeding decades the town of Aubusson grew into a resort in and of itself, becoming an iconic spa town for both middle class travellers and the nobility of the empire.

Important artists were invited to Château d'Aubusson, and were commissioned to paint it on occasion.

The petit palais had become famous by the 1730s and it was used as a hotbed of activity during the winter and spring months. It became the hosting grounds of lavish 'peasant themed' balls and soirees, as well as a location for the aristocracy to socialise away from the capital city. Favoured elements of high society were invited to the grounds; with countless writers, poets, philosophers and artists taking up residency at the request of the royals. Jacques Prévost, the famed writer of his day, wrote perhaps his most famous work at the chateau: The Adventures of Usbek of Yeruham.

Louis VI's brothers, like much of the extended imperial family, took an immense liking to the grounds and had them expanded through their own pockets. Prince Jean-Frederic had the surrounding countryside converted by way of agricultural produce and took to growing and maintaining his own pear, apple and cherry orchards.

For much of the remainder of the 18th century, little changed. In the 1790s however much of the chateau was burnt to the ground by way of a fire in the nearby woodlands and Francois III, who cared little for the property, did not prioritise its restoration. It fell to other members of the house to try to maintain and restore the chateau to its former glory, but little succeeded. The property turned little profit, its fruit orchards had fallen out of fashion and other resorts and retreats took the popularity away from the petit palais.

Dudevant's Hotel

When he ascended to the throne in April of 1814, Louis VII visited the grounds and decided that it was time to abandon the property. It was an advertised affair with individuals promised to own "once royal land". There were even discussions of putting the property up for sale via lottery, but ultimately the crown sold both the property and the land privately in a direct deal to Jacques Vabre; a tea, coffee and chocolate tycoon who intended on creating an idealised tea-house and cafe on the property in the style of "a Euclean ganomé". Vabre thought of creating a large, multifaceted complex in the town of Aubusson to not only cater to the needs of the guests who arrived but to provide food and drink to nobility who had found Aubusson a fashionable place to travel.

Despite the secluded location, Vabre's establishment earned a reputation very quickly upon its opening. The "Cafe du Desebau" styled itself as an "austral experience" and fashioned its hot drinks in the style of heavily spiced beverages. It was so popular of an establishment that newspapers from the time in Montsesleaux described that there were daily exoduses from the upper-class of the city as they journeyed to take their tea at the cafe.

Lucile Dudevant ran much of the hotel's early successes and her portrait decorated its main lobby. Now it is in the museum.

By the 1830s, however, Vabre had fallen on hard times. He was forced to sell the property and its land to cover his debts to Maurice Dudevant. Dudevant, who had made a fortune in mining in Gaullica's Bahian possessions and who had acquired a taste for the hospitality business in the city of Adunis, had decided to settle on creating a hotel in the town of Aubusson. He figured its historical significance and story, as well as the neighbouring town, would facilitate a large and elite reputation.

Once the property was acquired Dudevant had its development managed by his daughter; Lucile Dudevant. Lucile proved to be an astute and effective businesswoman and spared little to no expense. She wished to recreate the grandeur of what had been a once royal residence and commissioned a young Charles Labrouste into creating her "Grand Hotel" in a new, revolutionary style. This hotel became the 'Grand Bandar', named for the Pardarani word for 'port' which fit with her idea that this would be a safe place for comers and goers.

The Dudevants pursued an aggressive marketing campaign to publicise the opening of their hotel; inviting the artistic strata of society, the royals and the most high profile individuals in the empire to its grand opening. Rooms were named after the guests who took them first. Lucile even reinvited Vabre to operate a cafe within the hotel, further increasing the profile of their newly opened business.

Originally opening with 100 rooms, a restaurant, its famed Vabre Cafe, communal and private bathing facilities and an outdoor exercise complex, the 'Grand Bandar' became a success story overnight. The guests who were invited considered themselves privileged and of an elite status and class, and the appearance of Gaullica's newly crowned Empress Evelin stole the show. Her highly public appearance, including having the most luxurious suite named after her, had an incredible impact on the publicity the hotel received. The 'Grand Opening' in 1852 was such a celebrated affair in the socialite circles that it was referred to in numerous newspapers and novels of the day.

By the 1880s the hotel had been expanded incredibly to include two extra wings, bringing the room total to 398. The building was extensively refurbished in 1888 to include telephone connections, functioning ensuite lavatories and bathrooms and internal electrical lighting. Under Lucile's management the hotel had be granted numerous awards and an "imperial medal for hospitality". The largest suites were entirely reserved for the members of the royal family and, as such, it became a hotbed for intellectual purposes and discussions, featuring in the works of the individuals who would come to reside there.

Internationally renowned for its extravagance, the Dudevants' had become a mainstay of the social circles of the Gaullican elite. So courted was there favour that countless events were hosted at the hotel; including the anniversary celebrations of the marriage between Emperor Albert III and his wife Empress Stéphanie.

Photographed in the hotel's lobby, Rafael Duclerque and his wife would spend many of the winters from 1921-1928 at the Grand Bandar.

Functionalist Usage

The hotel fell on hard times during the economic recession of the 1910s with much of the clientele not returning to the hotel due to their economic woes. The imperial family distanced themselves from the elitism of the establishment, hoping to 'relate' to the struggling populace. By this time, the iconic Lucile Dudevant had died as well - further throwing the business into disarray.

With the election of Rafael Duclerque's Parti Populaire in 1919, the hotel's operation and continued practice was deeply thrown into question given the economic policies advocated by the functionalists. Further, their social policies and 'zero-tolerance' to sex-work brought grave concern to the operation of the town of Aubusson in general. The Dudevants were forced to close the iconic hotel for the last time in the spring of 1921, when the Parti Populaire nationalised the building and Rafael Duclerque took the hotel for his own residency.

Utilising the hotel as a piece of propaganda as well as a winter residency, Duclerque changed little of the interior of the hotel. Privately, he admired the building and its history. Publicly, he used it as a tool of the state to show off his capabilities as an iconic statesman. He would host state functions at the Grand Bandar, as well as allow Albert IV and his family access to the hotel.

The onset of the Great War changed the function of the hotel again. Much of the furnishing was removed and placed in storage and it was taken over for military purposes as a central command point for the Gaullican defence forces in the Val de Mareine.

As the Grand Alliance continued their advance in the early 30s, the building was bombed by the Soravian and Kirenian air forces. Much of the structural integrity of the building was damaged, with both its newer wings collapsing on themselves.

For two years after the end of the war the fate of the building was unknown. However it was freely given back to the Dudevants by the post-war government of the UCT. The building underwent extensive rebuilding and remodelling, with the original furnishings mostly intact, by way of Lucile's son Pascal Dudevant. Pascal considered himself to be an architect and designed the building by way of the new modernist building styles; which was both praised and criticised.

The Grand Re-Opening of the Grand Bandar in 1948, which was delayed and far more expensive than anticipated, flopped. Whilst much attention was given in both the press and the public eye, the guests who returned did not contribute to its economic success. Pascal was forced to sell by 1952, 100 years following the original opening of the Grand Bandar. The hotel was purchased by the Gaullican state, which decided its best purpose and usage by the Parti Populaire would lend it to be a good museum on anti-functionalism.

As a Museum

Since its acquisition by the Gaullican State the Grand Bandar has served the purposes of a museum; specifically on the periods relating to the rise of the Parti Populaire and anti-functionalist activity. This was chosen not only as a stark reminder, but the building's symbolic reconstruction in a new style was decided to "represent a shift in the national mentality" as a "rejection of Gaullica's monarchism and authoritarianism".

The Gaullican government acquired countless pieces of functionalist objects and items during the process of defunctionalisation. Often times the government would forcefully remove functionalist items from convicted criminals, repossessing their possessions for usage in the museum.

In 1989 a section of the museum was dedicated to the formation and disclosed activities of 'DENAT', Gaullica's secret police that helped assist in defunctionalisation and rooting out right-wing cells during the post war.

Noteworthy historical occurrences and guests

The Grand Bandar was chosen as the venue in which the armistice that effectively ended the War of the Triple Alliance would be signed. In attendance would be the heads of state and foreign ministers of Estmere, Werania, Kirenia and Gaullica. The hotel publicised the affair as hosting "the monarchs of Euclea".

In 1867 the Viscount Donnchadha of Caldia was staying at the hotel. As reported by his fellow guests, at around 8:15, when he was scheduled for his dinner at the hotel's restaurant, he fell through one of the internal windows into the luxurious Cour d'argent, an internal garden and courtyard. He told hotel staff that he was "tired and emotional" before two prostitutes emerged and asked after the viscount's health, before helping him return to his room to nurse his bruises.

Throughout its existence, the Grand Bandar catered to the needs of the Gaullican monarchy. Evelin's funeral wake was held at the hotel, as were the receptions of Albert III's marriage and his subsequent wedding anniversary parties.

Architecture

Exterior

Interior

Usage as a museum

Key exhibits

In fiction