File:Utro v sosnovom lesu.jpg
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Summary
Morning in a Pine Forest | ||||||||||||||||||||||||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q193064
artist QS:P170,Q958052 |
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Title | ||||||||||||||||||||||||||||||||||||||||||||||||
Object type | painting | |||||||||||||||||||||||||||||||||||||||||||||||
Genre | landscape art | |||||||||||||||||||||||||||||||||||||||||||||||
Date |
1886 date QS:P571,+1886-00-00T00:00:00Z/9 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
height: 139 cm (54.7 in); width: 213 cm (83.8 in) dimensions QS:P2048,139U174728 dimensions QS:P2049,213U174728 |
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Collection |
institution QS:P195,Q183334 |
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Accession number |
841 (Tretyakov Gallery) |
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Notes |
Русский: "Сосновый бор" (1872)-это "портрет" досконально изученного прикамского леса, где вырос сам художник. Портрет, глубоко правдивый как в общей формуле, так и в мелких частностях, портрет торжественный по своему строю, требующий известной зрительской дистанции и в то же время откровенно личный по отношению к объекту. При характеристике произведений Шишкина выявляется их нерасторжимая художественная целостность, в них одно качество не существует без другого. Так, в его полотнах не выглядят диссонансами ни порхающие бабочки на фоне могучего корабельного леса, ни медведи, взирающие с вожделением на дерево с ульем в сосновом бору, или полевые цветы, пестрящие золотое море ржи и написанные с благоговейным вниманием. Это единый живой мир природы во всей возможной для изображения полноте его воплощений. Шишкин стремился выявить, запечатлеть устойчивые ценности пейзажа. Он создавал образы, в которых природа выражала себя почти в абсолютной степени. Величественный строй его произведений, производный прежде всего от самого объекта, во многом базируется и на постоянном соотнесении малого и огромного, эфемерного и вечного.
English: Morning in a Pine Forest is a portrait of a thoroughly studied Prikamye forest, where the artist grew up. A portrait is deeply true both in the general formula and in small details, a landscape solemn in its structure, requiring a certain spectator's distance and at the same time deeply personal in relation to the object. As in the other Shishkin's works, there is inseparable artistic integrity: one quality does not exist without the others. Thus, neither the fluttering butterflies against the background of a possible ship wood forest, nor the bears staring at a tree with a beehive in its canopy, nor wildflowers dazzling the golden sea of rye, all painted with reverent attention, look dissonant in his painting. This is the only the living world of nature at all to depict the fullness of its incarnations. Shishkin sought to identify and capture the enduring values of the landscape. He created paintings that expressed nature itself almost to the ultimate degree. The majestic structure of his works, derived primarily from the object itself, is largely based on the constant ratio of small and huge, ephemeral and eternal. |
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References | ||||||||||||||||||||||||||||||||||||||||||||||||
Source/Photographer | Downloaded from [1] |
Licensing
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 17:16, 15 May 2016 | 5,668 × 3,840 (15.53 MB) | wikimediacommons>MjolnirPants | reduce compression, get rid of editing artifact on cub's face |
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Metadata
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Orientation | Normal |
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Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | Adobe Photoshop CS6 (Windows) |
File change date and time | 13:14, 15 May 2016 |
Color space | sRGB |
Date and time of digitizing | 09:14, 15 May 2016 |
Date metadata was last modified | 09:14, 15 May 2016 |
Unique ID of original document | xmp.did:53121F0E561AE6118C0BD8E06E73447A |