Moralism (literature)
Moralism (Huajiangite: 道德文学; Alphabetized Huajiangite: Dàodé wénxué; Moral Literature) is a Qi literary movement and writing style that emerged in 1901. The main exponent to the Moralist literary movement was Gao Wenzhong and is considered the father of Moralism. His literature peaked in the the post-war novel A Question for Wellington (
Literary Moralism soon took the form of Theatrical Moralism with another one of Gao's work, the post-war play of The Woman in Black (
During the Feng era and around the end of Gao's life, the 1882 Huajiangite Foreign Crisis was resolved and both Literary Moralism and Theatrical Moralism went international, with many of Gao's books being sold in foreign markets. More authors followed after Gao's work in establishing moralism. Moralism after Gao evolved to focus on empiricism and questions between secular authority and religious authority. Post-1950 Moralism primarily featured freethought and continued featuring the questions surrounding secular and religious authority. The most notable difference that Post-1950 Moralism took from Post-War Moralism was the fact that Post-1950's authors, such as the novelist Jia Kai, playwright Wang Li, and poet Gao-ou focused on portrayal of society with elements of naturalism portraying questions of authority as it was portrayed into a photograph and to sometimes, analyze and incorporate real life events.
Moralism is also meant to be a contrast to romanticism, however in line with romanticism, had a complex effect on Huajiangite politics before and after the Great Continental War. Very similar to neoclassicism, Moralism within a contemporary form is normally attached with the definition of equality.