Perabangan: Difference between revisions

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==Cast==
==Cast==
==Production==
==Production==
The film was shot on location in [[Perakor]], [[Surubon]]. Director Bongsu Bertukang made the choice to use {{wp|tungstun film|500T}} {{wp|35 mm movie film|35mm}} {{wp|Ektachrome|Metachrome film}} in {{wp|image aspect ratio|1.66:1 aspect ratio}} early in the pre-production phase. the film was shot in natural light with lower {{wp|film speed|ISO}} during day time scenes, and scenes were contrasted with neon acented shots using standard ISO during night time and dark interior shots. Giving the film a naturally {{wp|Film grain|grainy}} and {{wp|Retro style|retro}} look.
==Release and Reception==
==Release and Reception==
Perabangan was released to generally positive reviews. Positive reviews praised the cinematography, editing, and tone. as well as its use of lighting, film manipulation, and practical effects. Negative reviews focused on plot and character issues. With many complaining about Kemangis lack of characterization, and for possible sexist tropes found in Margeaux character. One critic complained that while Margeaux claims that she falls in love with Kemangi of her own choice, they note that the choice is made after a powerful, drug induced hallucination, meaning that she could not have properly consented to the relationship as its predicated upon drug fueled fantasies. Others have praised Margeaux's character as realistic, claiming that she acts independently throughout the film and is the key figure in the chase scene in the first act.
Perabangan was released to generally positive reviews. Positive reviews praised the cinematography, editing, and tone. as well as its use of lighting, film manipulation, and practical effects. Negative reviews focused on plot and character issues. With many complaining about Kemangis lack of characterization, and for possible sexist tropes found in Margeaux character. One critic complained that while Margeaux claims that she falls in love with Kemangi of her own choice, they note that the choice is made after a powerful, drug induced hallucination, meaning that she could not have properly consented to the relationship as its predicated upon drug fueled fantasies. Others have praised Margeaux's character as realistic, claiming that she acts independently throughout the film and is the key figure in the chase scene in the first act.

Revision as of 00:15, 2 October 2023

The Brotherhood
Perabangan 2.png
Perabangan
Directed byBongsu Bertukang
Written byDeang Tembam
Indah Sulaubang
Produced byElyas Tinggi
StarringKembara Seniman
Ng Sau
Rene Siang
Seroja Puspasari
CinematographyCahya Oey
Edited bySabtu Askar
Music byPerang Kunci
Production
companies
Astra
Release dates
  • 22 October 2023 (2023-October-22) (Surubon)
Running time
176 minutes
CountrySurubon
LanguagePelangi
Budget$5.7 Million

The Brotherhood (Pelangi: Perabangan) is a 2023 Surubonese neo-noir science fiction psychological thriller directed by Bongsu Bertukang and starring Kembara Seniman, Ng Sau, Rene Siang, Seroja Puspasari. The story follows Kemangi, a prizefighter with a prosthetic arm, and Margeaux, the girlfriend of the crime boss, Kejam. Initially they meet as aquentences but soon develope a relationship fueled by drugs, after Kejam discovers the relationship, the two must escape in a world where reality and dillusion blend together.

Plot

Kemangi (Seniman) is performing at an underground prizefight. Inside the room with a few dozen other men, the announcer introduces the last man standing fight, and its previous champion, Mouzou. Kemangi is made to take off his prosthetic arm, and insert eye drops, which cause his eyes to dilate and turn bloodshot. A melee ensues as the men are thrown blunt weapons, pipes, chairs, and such. Ultimately Kemangi and Mouzou are left and the two battle one another. Kemangi is forced to the ground, a man comes forth and empties the contents of a tool box onto the floor. Mouzou grabs a pipe wrench and prepares to strike Kemangi. Kemangi kinks Mouzou in genitals, causing him to fall in pain, then grabs a screwdriver and stabs him in the ankle, Kemangi gets up, then the referee calls the contest, preventing any more harm to Mouzou.

Kemangi is declared the winner, he looks up to the rafters where the cheering crowd watches. In a small booth he can see a man dressed in a pristine suit and tie, and a woman dressed in a provocative black dress. They stand up and descend from the booth down to the floor, Kemangi bows and addresses him as “Che Wirasatya”, the man hands him his winnings, $450. He instructs Kemangi that he can now call him Kejam (Siang). He instructs him to watch his girlfriend, Margeaux (Ng), while she goes out to the city with friends, he must attend to other matters.

Kemangi has his arm returned and while still bruised and bloody, cleans up and wears a black suit and tie on loan from Kejam. He joins her friends through the neon soaked streets of the city. They eat at an upscale Sernian restaurant. Margeaux asks Kemangi about himself, to which he gives sparse details. When asked about his arm he declines to answer, calling it a “battle scar and nothing else” The group eventually leaves and Margeaux returns to her hotel with Kemangi. While in her suit, she uses the eye spray, and downs multiple pills, implied to be Barbiturate. She offers them to Kemangi, he takes the eye spray, his eyes dilated and bloodshot once again, but pockets the pills. Margeaux dances around the room, until she collapses onto the floor, Kemangi checks her pulse, and then leaves the room and stands outside the door until daybreak.

The next day Margeaux has Kemangi guard her while they go to an open air market in the city. After shopping for odds and ends they arrive as a small food booth. They sit down, the eating area surrounded by clear plastic curtains. They order their food and start eating. Margeaux confesses that she is unhappy in her relationship with Kejam. Revealing she used to be a Casino Girl (euphemism for a prostitute) before she caught Kejam's eye. Now she's trapped in the underground with him. When Kemangi asks why she is telling him this, she explains that she feels they come from the same background, that she can trust someone who came up from the gutter like herself. She then asks about his arm. Kemangi tells her that during one prizefight, his arm was shattered, and the healing process was botched, so his arm was amputated. His stable boss at the time bought him his new arm, as a way to make money on his investment in him. The two eat their food.

Kemangi escorts Margeaux back to the car. However he notices that they're being trailed by a group of three men. Kemangi forces Margeaux down a series of winding side streets. But they are ambushed as a man runs from a corner in front of them, gun drawn, as the others run in after the two. Kemangi punches the man with his prosthetic, killing him instantly. Kemangi takes his gun and turns around to confront the men closing in on them, a gun battle follows. The two run through the streets, Kemangi shoots one of their assailants. Margeaux car Jack's a small motorbike, margeaux drives while Kemangi sits in the back, shooting at the men following them.

Margeaux clumsily navigates the slums of the city, they get distance from their assailants and she ditches the bike in front of a destitute tin shall and runs in. Inside the dimly lit shack are various slot machines, mangy drug addicts, and young women dressed in scant clothing. Margeaux talks to an old lady who runs the operation, Cik Siti. She ushers them to an upstairs room, a small 3×3 with a single mattress on the floor. The two can hear the men run in and say they're looking for someone, the old woman tells them that two people ditched the bike here and ran east on foot. After an argument, the men relent and leave, following the false trail. Cik Siti comes up to tell them they have left, and Margeaux gives her a hug.

Cik Siti is the owner of this small casino/brothel and knows Margeaux, although their connections remain murky. Cik Siti allows the two to stay the night, Margeaux inquires about a "serampang", Cik Siti nods, and leaves, grabbing an object from a desk drawer and returning. She hands a small metal tube, with 6, long, and thin prongs coming out the end. Cik Siti leaves them be. Margeaux takes off her top, back facing Kemangi, revealing a metal port between her shoulder blades. She lays down on her belly and instructs Kemangi to insert the device into the port, tears running down her cheeks. Kemangi does so, as the device is inserted it makes a whirring noise, then Margeaux is overtaken by convulsions. She enters a dream state, where she envisions a family in the sleep fog-covered mountains of Surubon. The home is traditional, she remarks that it feels just like the home she grew up in. She explores it, every small space she can find. Eventually she steps outside to admire the surrounding nature. She feels a presence and quickly turns, standing next to her is Kemamgi. Margeaux abruptly wakes up, her face covered in sweat, snot, and drool. Kemangi enters, and passes her a small towel to clean herself up. Kemangi pulls out the pills from his pocket he had kept from the night before, they split them and swallow them dry. They kiss, and Margeaux and Kemangi have sex before the effects of the pills set in and they fall into a deep sleep. Through a crack in the door we can see a figure looking in at them through the crack.

Kejam is at his desk, on the phone talking to an unknown person. A man walks into the office, Kejam finishes his call and starts to talk to the man. The men have a conversation about the attack on Margeaux, Kejam is disappointed the attack failed, impressed that Kemangi took his task so far, and expresses admiration for his loyalty. The other man reveals that Margeaux might be cheating on him with Kemangi, showing him a picture taken of the two mid coitus through the door gap. Kejam smiles and shrugs it off, laughing to himself. The man claims they are probably still at the same location and that they could send men into the building to kill them, Kejam declines, he claims he has a better idea.

Kejam is at a small fine dining establishment. Dressed in a suit and awaiting his company. He is met by Daut. The two sit down and enjoy a bottle of Gaullican wine together over a course of Etruro-Zorasani cuisine. Kejam opens up and offers to buy Kemangi from Daut. Daut initial protests, claiming he's still $127,000 in debt for his arm and neural-links, and his contract still has another 8 years. Kejam puts an offer of $5 million for Kemangi, Daut, initially speechless, agrees to the deal. They shake hands and after dinner Daut transfers Kemangi's Technical Data Package to Kejam. He is then driven to a small warehouse, where he enters and is met by several company officials. Kejam discusses with them that he needs a new bodyguard. The mon brings him to a sterile white lab room, and introduces him to a prototype Gynoid. It is dressed up as a stereotypical Senrian Geisha, alluding to its role as a "service and security model". The business men claim that it comes stock with a 8 gauge Slag shotgun and 5.7mm machine gun.

Kemangi and Margeaux leave the hotel after an undetermined time. Kejam calls Kemangi asking about his location, he says that a situation occurred and they were laying low for a while. Kejam says he understands and offers them his apartment in the city if needed. Kemangi agrees and the two make their way to the apartment. There they meet Kejam who asks about the situation, and upon hearing it from both Kemangi and Margeaux says it's probably the work of a rival gang. The two then meet Rinin (Puspasari), the geisha server and hostess of the apartment. Kejam leaves and the three make themselves comfortable. Rinin serves the two tea and food, and Margeaux and Kemangi talk about the implications of their time at the casino. Kemangi is regretful of their encounter, margeaux retorts by saying "I've never been allowed choice, I slept with you not out of obligation, but because it was the first time I could choose." The two share a kiss in the bedroom and go to sleep. In the night Kemangi wakes up to use the bathroom, and Margeaux gets up to smoke on the balcony. When Kemangi returns he is confronted by Rinin in the darkness of the hallway. But drifts back into the darkness.

The next morning Kejam returns, and says that Margeaux must come with him. She leaves with Kejam and now it is just Kemangi and Rinin in the apartment, something he feels deeply uncomfortable about. Me makes sure to keep his gun on him, out of fear. Kejam leads Margeaux to another building. He sits her down and confronts her with the picture of her and Kemangi having sex, and a hidden camera photo of them kissing in the apartment, along with an audio recording of her talking about choice just beforehand. He pulls out a device similar to the serampang from earlier. Kejam declares that in this device is a collection of every memory, and every thought she has ever had, the entirety of her own understanding of herself. Her identity. And if she does not cooperate, he will place it into her port, and overload her neural-link, causing a sort of cybernetic psychosis. She will forget everything, and never be allowed to form new memories or a new identity ever again. Kejam demands that she lure Kemangi as part of a trap. She agrees under duress, sobbing as she does so. Kejam then goes to his computer, and uploads Kemangis technical data package, where he adds in an interference signal to his neural-link.

That night, Kemangi is in the apartment when Rinin calls for him. He follows her voice to the living area where she stands in the middle, she proclaims him a sinner, who must be punished. At that moment, Kemangi senses a strange feeling, the work around him starts to warble and distort, and if everything is dissolving into the air. Rinins arm opens up to reveal a firearm hidden in her forearm, she shoots, striking Kemangi in his prosthetic, blasting it off his body and spreading it to pieces. He flees, attempting to reach for his gun with his weak hand. As he bolts out of the apartment he gets his gun and starts shooting at Rinin, missing his shots. As he runs through the apartment complex the walls and stairs shift around him and are ever moving in a Non-Euclidean fashion as the world around him is still heavily distorted. He shoots back as Rinin switches between their shotgun and machine gun to fire at him, missing in all but one instance, where Kemangi's leg is hit by her machine gun fire. He finally hits and kills Rinin just as he runs out of bullets and throws his gun away, running in a frantic manner. He then hears Margeaux's voice, she beckons him to follow her voice, he does so and eventually her. She leads him down a long and dark set of stairs, dodging gun fire the whole way. Until eventually they reach a door, upon opening it, they arrive at the building's roof, overlooking the ocean and skyline. It is here that Kejam confronts him.

Kejam pulls a gun on Kemangi, when asked what is going on, Kejam explains that he knew what him and Margeaux were up to, disjointed that his trust in him was misplaced. The two stare each other down, Margeaux sobbing violently behind Kejam. Kejam explains that the whole ordeal was a game, and that Margeaux was the bait. Margeaux apologizes to Kemangi, then Kejam pulls the trigger, shooting Kemangi in the head, killing him instantly. Afterwards, Kejam has Margeaux back in his office, he places the item containing her memories back into the shelf on his desk. He says he is going to get ready, and instructs her to stripe naked for him. He leaves the room and Margeaux does so, but she also rushes to the desk and grabs the device, almost caught as Kejam returns, naked himself. He lays down on the table face down, revealing that he too has a port on his back, he instructs her to give him a massage. As she does so, she places the memory device in his port, he starts to convulse, and in his dream state we can see his and margeaux memories meld together, distorting and dissolving into one another as his Neural-link is overloaded. His identity is scrambled and then destroyed. In his convulsive state, Margeaux chokes him to death. She gets dressed and leaves the office, the final scene is her returning to the roof, looking over Kemangi's body

Cast

Production

The film was shot on location in Perakor, Surubon. Director Bongsu Bertukang made the choice to use 500T 35mm Metachrome film in 1.66:1 aspect ratio early in the pre-production phase. the film was shot in natural light with lower ISO during day time scenes, and scenes were contrasted with neon acented shots using standard ISO during night time and dark interior shots. Giving the film a naturally grainy and retro look.

Release and Reception

Perabangan was released to generally positive reviews. Positive reviews praised the cinematography, editing, and tone. as well as its use of lighting, film manipulation, and practical effects. Negative reviews focused on plot and character issues. With many complaining about Kemangis lack of characterization, and for possible sexist tropes found in Margeaux character. One critic complained that while Margeaux claims that she falls in love with Kemangi of her own choice, they note that the choice is made after a powerful, drug induced hallucination, meaning that she could not have properly consented to the relationship as its predicated upon drug fueled fantasies. Others have praised Margeaux's character as realistic, claiming that she acts independently throughout the film and is the key figure in the chase scene in the first act.