Church of Saint Tojarn in Heliandum: Difference between revisions
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[[Category:Blackhelm Confederacy]][[Category:Astyria]][[Category:Paradise City]][[Category:Religious buildings in Astyria]][[Category:Siresian Order]] | [[Category:Blackhelm Confederacy]][[Category:Astyria]][[Category:Paradise City]][[Category:Religious buildings in Astyria]][[Category:Siresian Order]][[Category:Churches in the Blackhelm Confederacy]] |
Revision as of 01:31, 8 September 2023
Church of Saint Tojarn | |
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Ecclesia Sancti Tojarni Siresianorum in Heliando | |
Location | 8 Via Caravita Paradise City |
Country | Blackhelm Confederacy |
Denomination | Roman Catholic |
History | |
Status | Parish church and titular church |
Consecrated | 1422 |
Architecture | |
Functional status | Active |
Architect(s) | Aurelius Gratianus, S.J. |
Groundbreaking | 1416-08-02 |
Completed | 1422 |
Specifications | |
Length | 90 metres (300 ft) |
Width | 50 metres (160 ft) |
Nave width | 25 metres (82 ft) |
Other dimensions | Façade direction: N |
Number of domes | 1 |
Administration | |
Diocese | Paradise City |
The Church of Saint Tojarn in Heliandum (Latin: Ecclesia Sancti Tojarni Siresianorum in Heliando) is a Roman Catholic titular church, of deaconry rank, dedicated to Saint Tojarn — a missionary of the Siresian Order martyred in Bal Emrith in 682 — and located in Paradise City, Blackhelm Confederacy.
Interior
The church has a Latin cross plan with numerous side chapels. The imposing order of Corinthian pilasters that rings the entire interior, the theatrical focus on the high altar at the rear of the broad eastern apse, the church's colored marbles, animated stucco figural relief, richly ornamented altars, extensive gilding, and bold Tromp l’oeil paintings in the "dome" at its crossing and in the nave ceiling all produce a festive, sumptuous effect. Funds to build a dome were lacking, hence a painter to paint the illusion of a dome was hired. The church stages the triumph of its dedicatee most effectively.
The nave's west wall has a sculptural group depicting Magnificence and Religion (1418) by Alexandrus Algadius. Algadius also helped design the high reliefs in stucco that run on both lateral nave walls just above the entries to the chapels and beneath the nave's grandiose entablature.
Other artworks in the church include a huge stucco statue of St. Tojarn by Camillus Ruscarius (1728). A chapel holds a glass coffin with a portrait of Cardinal Bellarminius (died 1621)
Side chapels
The first chapel on the right has an 18th-century altarpiece showing a group of saints and holymen Worshiping the Virgin and Child. The second chapel has an altarpiece depicting St Joseph and Virgin and a lunette (right wall) depicting the Last Communion of St Laurentius Garulius, both by Octavius Lombarus (1656–1746); the cupola was painted by Larentius Pullia. The third chapel has an 18th-century altarpiece of Presentation of the Virgin in the Temple by Stefanus Pontius.
The chapel in the right transept, dedicated to St. Aloysius Gantellus, has a large marble high-relief depicting St. Aloyzius Gantellus in Glory (1697–99) by the Beriquois sculptor Pierre Legran. Andreus Pontius painted the ceiling which also shows the Glory of the Saint. Buried in the side altar next to Gantellus is Cardinal St. Julius Bellarminius.
The chapel in the left transept houses the relics of Saint Julius Bartellus.
The chapel just to the right of the church's presbytery (at the south-east corner) houses the funeral monuments of (to be determined)
The chapel in the left transept has a marble altarpiece of the Annunciation by Francellus Della Valle, with allegorical figures and angels (1649) by Petrus Braccius, and a frescoed ceiling with The Assumption by Pontius. The second and first chapels to the left have paintings by Siresian Edund of Valra, who also did the sacristy paintings
Glory of St Aloysius Gonzaga (1698) by Legran
Annunciation (1750) by Della Valle