Susan Shelley: A Musical Life
| Susan Shelley: A Musical Life | |
|---|---|
| Genre | Documentary |
| Directed by | Rasa Ḑeşéy |
| Country of origin | Gylias |
| Original language(s) | English |
| No. of episodes | 20 |
| Release | |
| Original network | GTV3 |
| Original release | 4 April – 29 April 2016 |
Susan Shelley: A Musical Life is a Gylian documentary which aired on GTV3 in 1999. Directed by Rasa Ḑeşéy, it stars Susan Shelley, who discusses her life and career.
Premise
The series features interviews with Susan Shelley, either sit-downs at home or in a recording studio. Susan discusses her life, her musical career, and her philosophies on songwriting, arranging, and producing.
Production
Rasa Ḑeşéy had first met Susan Shelley while working on The Beaties Anthology. She was impressed by Susan's candid and elegant personality, and felt that Susan's "legendary reputation" did not do justice to said personality. Their paths crossed again in the future as Rasa interviewed Susan for The Band of 20th Century. Rasa decided one of her next projects would be a documentary on Susan's life, and resolved that it would take "as long as it needed" in order to cover all its facets.
Rasa began filming new footage with Susan in 2006, shortly after Susan's 80th birthday. The process lasted on and off for years. Usually, Rasa simply visited Susan at home and let her talk at length about the desired topics. Additional footage was filmed in Beat Studios, Palace of Sound, and other studios Susan had worked in, where she would go over the master tapes of projects she'd worked on and discuss them.
Rasa recalled working long hours on the project at times: "At one point, I would wake up early in the morning, go to Susan's home at 8, and we'd just spend the whole day chatting. She'd treat us to lunch and tea and dinner and what have you, and then I'd leave about 10 in the evening, and I'd feel exhausted in the best way possible, because I knew that tomorrow, I'd get to do it all over again."
Rasa had decided from the beginning that the documentary would be "Susan's life, in her own words." Accordingly, no other participants were interviewed. Susan helped Rasa by providing her collection of photographs and home movies. For completeness, she included footage that had already been used in The Beaties at Work, The Beaties Anthology, and The Band of 20th Century, in a different context. Production lasted so long that Rasa was able to use some of Susan's interview footage for the 2012 documentary Our Clothes.
The project ballooned to 20 episodes, making it Rasa's lengthiest documentary. When she expressed apprehension about its length, Susan reassured her: "Miss Ḑeşéy, we must give the people every last piece of me, for eternity's sake. If they complain it's too much to swallow, it just proves our success."
The documentary proved to be Susan's last on-screen appearance, as she died later the same year as its premiere.
Reception
Susan Shelley: A Musical Life was a critical success upon airing, and became one of GTV3's highest-viewed programmes. It was praised for giving prominence to Susan's elegance and serene personality, and for its comprehensiveness.
The series began to be uploaded to Proton TV during its run, and was released on DVD shortly after it finished airing.
The National Record praised the documentary as "a bounteous feast", and wrote: "Its greatest achievement is the effortless way it prompts the greatest producer that ever graced popular music to unload the contents of her mind for the public to pore over at their leisure."
Surface lauded the way the documentary captured Susan's personality: "With her unfaltering serenity, boundless generosity, admirable diplomacy, and undeniable love for music, Susan proves one of the most uplifting role models one would hope for in life."
Gylias Review commented that "one of the great joys of the series is the way Susan discusses all of her projects with equal solemnity", and further detailed: "Hearing Susan talk about the novelty records and obscure film soundtracks she produced in the same breath and tone as her work with the Beaties is surreally amusing, but hearing her talk about scoring My Stepmother Is an Alien and The Magnificent Mademoiselles with the same care and enthusiasm is simply moving. Above all, one leaves with the impression that this is a woman who treats all of her projects as if they're her masterpieces."
Rasa herself would later identify it as one of her documentaries she is most proud of, saying: "It was a chance to spend several years inside Susan Shelley's mind, which was a warm and lovely place to be."