AleziRadio Festival of Songs 1999
AleziRadio Festival of Songs 1999 is the fourty-second edition of the annual AleziRadio Festival of Songs. The competition was held as usual in 16th of May 1999 by the authorities of Radio Basna Raya. This is the seventh time that Basna hosted the competition after doing so previously in 1964, 1981, 1987, 1989, 1990, and 1992 after the victory of Niyaura Andarinda with the song "Bayangan Seindah Dunia". This year's festival is also the last festival to be held on the 20th century.
The festival was won by Andi Ma'ruf Hazari with the song "شيء أريد أن أقول" representing Zafizamarrah. This marks the region's fifteenth victory, while all of the host regions' songs (Basna) finished the whole podium, earning Basna's 5th second place and 2nd third place.
As per usual in Basnaharian Radio tradition, the competition was once again held with cooperation between Radio Basna Dalam (RBD), Radio Basna Kota dan Pesisir (RBKP), and Radio Basna Kepulauan Luar (RBKL).
The festival took place in Kota Basna, which is the capital of the region of Basna and as of 1999, the second biggest regional capital behind Metropolitan Zafizamarrah, housing 1,299,834 people. Initially, Hotel Santader was to host the event once again, however the Hotel administrators refused to host again due to a reconstruction it's going to face the month after the festival.
After the refusal was announced to the public, RBR got contacted by the organizers of the once-only-in-a-lifetime Basna Millenium Festival. The organizers offered RBR the right to host the competition in the Festival area. The organizers convinced RBR due to the fact that the venue that they offered would be the biggest ARFOS venue by seating count at the time and "a way to close ARFOS' 20th century adventure in a good note". RBR accepted the offer, and the competition was to be hosted in the festival's area. This means that this year is the second time that ARFOS becomes a part of another event, after "technically" becoming a part of Aarenfestival back in 1995.
Located on the center of the festival area, the temporary tent of the festival has a circular seating of 25,000 people. This amount of seating shattered previous records, making it the biggest venue by seating. This is also the first time that a circular seating was used for the competition/ The orchestra pit are located on the back of the stage, still visible by the audience.
Graphic-wise, this is the first competition to not use the Coca-Cola design language, instead going for an independent styling named "Alezia Millenium".
Conductors
The list of conductors can be seen below.
Region | Conductor |
---|---|
Basna | Soeradi |
Zafizamarrah | Andi Mizannur Ahzanaruddin |
Pyalivostok | Benzema Lakashivich |
Tel Hadiv | Hayel Sharonov |
Mosin-Nagan | Isa Nagavishan |
Bristol | Daniel Rickerson |
Aramna | Ellayna Carvisleis |
Pantabang Islands | Lillea Aurie Dadon |
Daya Island | Yalta Naaminen |
Commentators
Region | Radio Broadcaster | Commentators |
---|---|---|
NATIONWIDE | ABA |
|
Zafizamarrah | Radio Zafizamarrah |
|
Pantabang Islands | Radio Zafizamarrah / Pa'ana'taba'angi |
|
Tel Hadiv | Radio Tel Hadiv - Yezateinu |
|
Bristol | Royal Radio of Bristol |
|
Pyalivostok | Radio Pyalivostok |
|
Basna | Radio Basna Raya |
|
Mosin-Nagan | Radio Tel Hadiv - Yezateinu / Mosinannaganyan |
|
Daya Island | Radio Pyalivostok / Dayain Saari |
|
Aramna | Araminhaes Radioues |
|
Spokepersons
Islan Hafizzi who commentates the event for the Zafizamarranian Arabic broadcast also reads the results of the second Zafizamarranian jury.
Region | Domicile | Spokespersons |
---|---|---|
Basna | Basna Kota |
|
Pyalivostok | Pyalivostokgrad |
|
Zafizamarrah | Metropolitan Zafizamarrah |
|
Bristol | Victoria |
|
Pantabang Islands | Bucinnois |
|
Tel Hadiv | Tel Hadiv |
|
Daya Island | Aaren |
|
Mosin-Nagan | Trishi |
|
Aramna | Las Araminhaes |
|
Participating Entries and Results
- "*" = the singer won the Independence Award which was held the day before the competition.
- The song for the Independence Award for the year was "What the Future Left" by Irsyad Afthari on 1950
No. | Region | Singer | Song | Translation | Language | Place | Points |
---|---|---|---|---|---|---|---|
01 | Basna | Tahmaz Aumardi | Kusambut Milleniumku | I Welcome My Millenium | Indonesian | 3 | 100 |
02 | Daya Island | QUARTZERA | Mellie | (name) | Finnish | 13 | 25 |
03 | Mosin-Nagan | Yahya Navirdayan | შენთის | To you | Georgian | 12 | 31 |
04 | Zafizamarrah | Andi Ma'ruf Hazari* | شيء أريد أن أقول | Somethiing I Wanna Say | Arabic | 1 | 182 |
05 | Zafizamarrah | Isa Rahman | توقف عن الكلام | Stop Talking | Arabic | 6 | 52 |
06 | Aramna | Noubellie Arlinavais | Bounachan | Goodluck | Aramnan | 17 | 8 |
07 | Tel Hadiv | Dneberish Ameshlevin | להתראות אהובתי | Goodbye, My Love | Hebrew | 16 | 13 |
08 | Pantabang Islands | Anna Loudewijk Makarina | Wat ben ik? | What Am I | Dutch | 10 | 33 |
09 | Bristol | James Wisher | Never, Ever, Always | -none- | English | 15 | 17 |
10 | Pyalivostok | Amari Kasiliyeva | Быть человеком | Being Human | Russian | 9 | 38 |
11 | Mosin-Nagan | Sheira | მთელი ჩემი არსებით | With All My Being | Georgian | 5 | 53 |
12 | Bristol | Samuel Arlick | There'll be Someone Else | -none- | English | 11 | 32 |
13 | Basna | Tanjung Priok | Sembilan Belas Sembilan Puluh Sembilan | Nineteen Ninety-nine | Indonesian | 2 | 125 |
14 | Pantabang Islands | Galina Ma'ude Dadon | Technica | -none- | Alezian | 7 | 46 |
15 | Tel Hadiv | Ani Maglevin | היום בלילה | Tonight | Hebrew | 8 | 42 |
16 | Daya Island | Hebrides and Amari | Hitaasti ja rauhallisesti | Slowly and Calmly | Finnish | 14 | 21 |
17 | Aramna | Benni Lavanivais | Miquellon | (name) | Aramnan | 4 | 88 |
18 | Pyalivostok | Abrin Dasiliyevich | Навсегда | Forevermore | Russian | 18 | 4 |
Voting by Region
BN-1 | BN-2 | DI-1 | DI-2 | MN-1 | MN-2 | ZF-1 | ZF-2 | AR-1 | AR-2 | TH-1 | TH-2 | PI-1 | PI-2 | BR-1 | BR-2 | PY-1 | PY-2 | BN-1 | BN-2 | DI-1 | DI-2 | MN-1 | MN-2 | ZF-1 | ZF-2 | AR-1 | AR-2 | TH-1 | TH-2 | PI-1 | PI-2 | BR-1 | BR-2 | PY-1 | PY-2 | TOTAL | |||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Kusambut Milleniumku | XX | XX | 3 | 5 | 10 | 3 | 7 | 7 | XX | XX | 5 | 5 | 10 | 10 | 7 | 10 | 1 | 10 | 7 | 100 | |||||||||||||||||||
Mellie | XX | XX | 1 | 1 | 3 | 10 | 3 | XX | XX | 5 | 1 | 1 | 25 | ||||||||||||||||||||||||||
შენთის | 5 | 7 | XX | XX | 3 | 3 | XX | XX | 3 | 5 | 5 | 31 | |||||||||||||||||||||||||||
شيء أريد أن أقول | 10 | 10 | 7 | 10 | XX | XX | 10 | 5 | 7 | 3 | 7 | 7 | 7 | 10 | 10 | 7 | 10 | 10 | XX | XX | 7 | 10 | 7 | 10 | 3 | 5 | 10 | 182 | |||||||||||
توقف عن الكلام | 5 | 3 | XX | XX | 5 | 10 | 1 | 1 | 7 | XX | XX | 5 | 5 | 5 | 5 | 52 | |||||||||||||||||||||||
Bounachan | XX | XX | XX | XX | 1 | 7 | 8 | ||||||||||||||||||||||||||||||||
להתראות אהובתי | 1 | XX | XX | 1 | 1 | 3 | 5 | XX | XX | 1 | 1 | 13 | |||||||||||||||||||||||||||
Wat ben ik? | 10 | XX | XX | 5 | 3 | 10 | 3 | 1 | XX | XX | 1 | 33 | |||||||||||||||||||||||||||
Never, Ever, Always | 1 | 1 | 3 | 5 | XX | XX | 7 | XX | XX | 17 | |||||||||||||||||||||||||||||
Быть человеком | 1 | 3 | 1 | 1 | XX | XX | 3 | 10 | 7 | 5 | 7 | XX | XX | 38 | |||||||||||||||||||||||||
მთელი ჩემი არსებით | 7 | 3 | XX | XX | 10 | 5 | 7 | 3 | 3 | 7 | 5 | 1 | 1 | XX | XX | 1 | 53 | ||||||||||||||||||||||
There'll be Someone Else | 5 | 5 | 10 | 3 | XX | XX | 1 | 1 | 1 | 3 | XX | XX | 3 | 32 | |||||||||||||||||||||||||
Sembilan Belas Sembilan Puluh Sembilan | XX | XX | 7 | 7 | 10 | 7 | 3 | 10 | 10 | XX | XX | 3 | 5 | 1 | 10 | 7 | 3 | 10 | 10 | 10 | 7 | 5 | 125 | ||||||||||||||||
Technica | 3 | 7 | 3 | 1 | XX | XX | 7 | 5 | 5 | 5 | 7 | 3 | XX | XX | 46 | ||||||||||||||||||||||||
היום בלילה | 3 | 1 | 5 | 5 | 5 | 3 | 5 | XX | XX | 5 | 10 | XX | XX | 42 | |||||||||||||||||||||||||
Hitaasti ja rauhallisesti | XX | XX | 1 | 1 | 1 | 5 | XX | XX | 7 | 3 | 3 | 21 | |||||||||||||||||||||||||||
Miquellon | 7 | 10 | 1 | 10 | 7 | XX | XX | 1 | 10 | 10 | 7 | XX | XX | 5 | 7 | 3 | 7 | 3 | 88 | ||||||||||||||||||||
Навсегда | XX | XX | 1 | 3 | XX | XX | 4 |