Berthilde von Freudenberg: Difference between revisions
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Born in 1720 in the city of [[Köln]], [[Nidwalden]], Freudenbergerg's talent and virtuous capacity to write and compose were rapidly seen by her parents, who at an early age, took her to attend piano classes. As an {{wp|Intellectual giftedness|intelectually gifted}} girl, with 17 years, Freudenbergerg took advantage of the socially progressive Nidwaldeser society, and skipped two years to attend the [[Hildegard University]], where she developed some of her first complete pieces under the tutelage of [[Egilhard Grosf]] and [[Adelheid von Dreierg]]. | Born in 1720 in the city of [[Köln]], [[Nidwalden]], Freudenbergerg's talent and virtuous capacity to write and compose were rapidly seen by her parents, who at an early age, took her to attend piano classes. As an {{wp|Intellectual giftedness|intelectually gifted}} girl, with 17 years, Freudenbergerg took advantage of the socially progressive Nidwaldeser society, and skipped two years to attend the [[Hildegard University]], where she developed some of her first complete pieces under the tutelage of [[Egilhard Grosf]] and [[Adelheid von Dreierg]]. | ||
[[Category:Astyria]][[Category:Nidwalden]] |
Revision as of 23:14, 5 July 2021
Berthilde Heilwig von Freudenbergerg | |
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Born | 15 November 1720 |
Died | 3 July 1778 |
Resting place | St. Hildegard Cemetery, Köln |
Nationality | Nidwaldeser |
Known for | One of the greatest Astyrian composers |
Berthilde Heilwig von Freudenbergerg (15 November 1720 – 3 July 1778) known as was a Nidwaldeser writer, composer and pianist. She is remembered as one of the greatest composers of all time, with her works having marked the course of classical music in Lorecia during the 18th century.
Born in 1720 in the city of Köln, Nidwalden, Freudenbergerg's talent and virtuous capacity to write and compose were rapidly seen by her parents, who at an early age, took her to attend piano classes. As an intelectually gifted girl, with 17 years, Freudenbergerg took advantage of the socially progressive Nidwaldeser society, and skipped two years to attend the Hildegard University, where she developed some of her first complete pieces under the tutelage of Egilhard Grosf and Adelheid von Dreierg.