Djeli pop: Difference between revisions
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'''Djeli pop music''' is a {{wp|musical genre|genre}} of {{wp|popular music}} originating in [[Bahia]]. The modern conception of the genre became prevalent in the 1980s with the popularity of the genre amongst the Bahian diaspora, in particular the success of [[Garambura|Garamburan]] artist | '''Djeli pop music''' is a {{wp|musical genre|genre}} of {{wp|popular music}} originating in [[Bahia]]. The modern conception of the genre became prevalent in the 1980s with the popularity of the genre amongst the Bahian diaspora, in particular the success of [[Garambura|Garamburan]] artist Chloe Kolisi, but its original forms can be traced back to the mid 1960s in [[Mabifia]] where such music was seen as a way of combining traditional sounds with modern, especially Euclean, techniques as a revolt against the socialist regime of [[Fuad Onika]]. | ||
Revision as of 18:38, 22 December 2019
| Djeli pop | |
|---|---|
.jpg) Honorine Uwineza, considered by many to be one of the founders of the genre | |
| Native name | 𞤔𞤫𞤤𞤭𞤺𞤢𞤤𞤤𞤮𞤤 |
| Other names | Hourege pop |
| Stylistic origins |
|
| Cultural origins | 20th century modernisation of Ndjarendie traditional music |
| Typical instruments | |
| Fusion genres | |
| Regional scenes | |
Djeli pop music is a genre of popular music originating in Bahia. The modern conception of the genre became prevalent in the 1980s with the popularity of the genre amongst the Bahian diaspora, in particular the success of Garamburan artist Chloe Kolisi, but its original forms can be traced back to the mid 1960s in Mabifia where such music was seen as a way of combining traditional sounds with modern, especially Euclean, techniques as a revolt against the socialist regime of Fuad Onika.