Nascent Love (2021 film): Difference between revisions
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==== Domestic ==== | ==== Domestic ==== | ||
The film proved highly controversial in Etruria, with the left-leaning press praising the film plot, Carano and Verdi's acting, while the right-wing press denounced the film as a false portrayal of female life in Etruria. The film was also criticised by members of the [[Tribune Movement]] which was depicted through stock footage via news broadscasts and shots of newspapers. | The film proved highly controversial in Etruria, with the left-leaning press praising the film plot, Carano and Verdi's acting, while the right-wing press denounced the film as a false portrayal of female life in Etruria. The film was also criticised by members of the [[Tribune Movement]] which was depicted through stock footage via news broadscasts and shots of newspapers. The controversial response to the film was reflected by the review aggregator [[Etruria|CinEtruria]], recording the film having a 62% approval rating based on 396 reviews, with an average rating of 6.10/10. | ||
Several critics named the film among the best of 2021, including [[Stefania Giannotti]] of [[Il Popolo]], and [[Sotiriano Enrico]] of [[CineEtruria]]. Writing for Il Popolo, Gianotti said, "this film is perhaps one of the greatest in terms of acting skill, the chemistry and passion of Carano, D'Santi and Verdi is unmatched in other productions this year. The film is perhaps the most tragic, saddening, but needed." Enrico wrote for CineEtruria, "this is without question the greatest production by Gemelli of her career, while Carano is surely elevated to the pantheon of true talent. This film is a testament to their skill, just as much as it is an inditement of Tribune Etruria.” Isabella Ralli, writing in the [[Posta Stazzona]] said, "the camera shots, the score, the characters, their portrayers all culminate together into producing one of the greatest tragedies of the century so far. Nascent Love is without question one of the darkest films to be produced, that turns the lead and the viewer from one of joy to utter dispair by the end. It is the finest examples of a film depicting the pysche and torment of all women who lack complete control over their lives." | Several critics named the film among the best of 2021, including [[Stefania Giannotti]] of [[Il Popolo]], and [[Sotiriano Enrico]] of [[CineEtruria]]. Writing for Il Popolo, Gianotti said, "this film is perhaps one of the greatest in terms of acting skill, the chemistry and passion of Carano, D'Santi and Verdi is unmatched in other productions this year. The film is perhaps the most tragic, saddening, but needed." Enrico wrote for CineEtruria, "this is without question the greatest production by Gemelli of her career, while Carano is surely elevated to the pantheon of true talent. This film is a testament to their skill, just as much as it is an inditement of Tribune Etruria.” Isabella Ralli, writing in the [[Posta Stazzona]] said, "the camera shots, the score, the characters, their portrayers all culminate together into producing one of the greatest tragedies of the century so far. Nascent Love is without question one of the darkest films to be produced, that turns the lead and the viewer from one of joy to utter dispair by the end. It is the finest examples of a film depicting the pysche and torment of all women who lack complete control over their lives." | ||
On the otherhand, the film was criticised by [[Leonardo Bessia]] at the [[Telegrafo Solariano]] who described the film as a "grotesque distortion of life for Etrurian women, rather than serving as a martyr for the female cause, Lucibello serves as a warning to women who would allow themselves to sink so far down into despair over life's greatest gift. The film's depiction of her dismissal of adoption for her unborn child is not a warning, but the perfect image of a modern belief system that condemns the unborn." | On the otherhand, the film was criticised by [[Leonardo Bessia]] at the [[Telegrafo Solariano]] who described the film as a "grotesque distortion of life for Etrurian women, rather than serving as a martyr for the female cause, Lucibello serves as a warning to women who would allow themselves to sink so far down into despair over life's greatest gift. The film's depiction of her dismissal of adoption for her unborn child is not a warning, but the perfect image of a modern belief system that condemns the unborn." Bessia awarded the film 1/5 starts. | ||
=== Accolades=== | === Accolades=== | ||
Revision as of 20:49, 19 October 2021
| Amore Nascente | |
|---|---|
 Worldwide theatrical release poster | |
| Directed by | Leonora Gemelli |
| Written by | Fiora D'Rossi |
| Produced by | Frederica Guzzetta Vittorio Caravaggio |
| Starring | Olimpia Carano Frederico Armani Giovanna D'Santi Rosa Verdi Alessandro Gaetano Augusto Iezzi |
| Cinematography | Giorgio Stanic |
| Edited by | Caterina Sforza |
| Music by | Ugo Calvi |
Production companies | Artemide Studios Caravaggio Productions |
| Distributed by | Cinemundo |
Release dates | |
Running time | 110 minutes |
| Country | Etruria |
| Language | Vespasian |
| Budget | €3.8 million |
| Box office | €45.96 million |
Nascent Love (Vespasian: Amore Nascente) is a 2021 Etrurian drama film, directed by Leonora Gemelli and written by Fiora D'Rossi. It stars Olimpia Carano, Frederico Armani, Giovanna D'Santi and Rosa Verdi. It follows Sotiriana Lucibello, a high-flying media executive after a brief affair with a Gaullican colleague, in which she becomes pregnant several weeks before Etruria's government instituted a near-total ban on abortion. The film was seen as a repudation of the Etrurian government and the retrograde approach to women's rights.
Production began in late 2020 and continued through to mid-2021. The film was predominately filmed in Faulia and Caoria. Nascent Love first premiered at the 82nd Montecara Film Festival on October 18, 2021, before being released in Etruria on October 21.
Plot
Sotiriana Lucibello (Olimpia Carano), a high-flying and successful executive at a media company is having dinner in a high-end Faulian restraurant with Géo Lefèvre, a colleague from the Gaullican branch of the company. They enjoy one another's company and end the night by having sex in Lucibello's home, Lefèvre returns home to Verlois the next day. The next day at work, Lucibello is startled to find her personal assistant and close friend Maria (Giovanna D'Santi) distressed and crying in the office, consoling her, Lucibello is told Maria’s younger brother, Luigi, has been assaulted in a homophobic attack, which Lucibello blames on the Etrurian government.
Several weeks pass and during a dinner with her mother, Aurelia (Rosa Verdi), Lucibello enters a heated argument after Aurelia expresses support for the government’s announcement that it would pass legislation near outright banning early terminations. Aurelia remarks that Lucibello appears different physically. Lucibello dismisses her mother’s remarks and they part company, leaving Lucibello in tears as she announces to herself that her period is late.
The next morning Lucibello visits a pharmacy to purchase a pregnancy test, on the television screen in the store, the Etrurian president is lauding their plans to ban abortion. Upon returning home, Lucibello discovers she is pregnant and breaks down. She attempts to contact Lefèvre, only for his wife to answer the phone, further distressing Lucibello. Desparate, she contacts Maria and tells her she's pregnant, with Maria being ecstatic over the news. Lucibello conveys her fears that it would jeopardise her career and her worry that she would not be able to raise a child alone. Maria urges her to consider her options and affirms her personal support.
Several days later, Lucibello's anxieties begin to affect her work, with a business deal collapsing due to her rudeness and distracted nature. She is called into the office of the company director, Massimo ( Alessandro Gaetano), who demands to know what is wrong with Lucibello. She informs him of the pregnancy, Massimo responds by taking her hand and asking if she wishes to keep the child, as an illegitimate pregnancy still carries a stigma. Lucibello confirms that she wishes to terminate it, Massimo provides a number for a medical facility that assisted his daughter.
The next day, Lucibello leaves work for the clinic only to find that it is swamped by a pro-life protest, fearing she’d be identified she returns home distressed. Running out of options and noting that the ban is fast approaching, Lucibello visits a state-run medical clinic to secure her early termination. To her surprise, her meeting is with a doctor and Catholic priest, who both urge her to reconsider her decision, with the Priest proposing putting the baby up for adoption. As she leaves in anger, the doctor meets her outside and passes her the number of a colleague but warns her that time is running out.
Overwhelmed by the pressures of work and her situation, Lucibello leaves Faulia to visit her brother, Simone (Frederico Armani). He criticises her for being selfish and urges her to reconsider terminating the pregnancy, going as far as to urge her to marry her ex, who still loves her, before berating her for bringing the family into disrepute. Distraught, Lucibello flees his home and returns to Faulia, drinking heavily, she shuts down for several days in her apartment.
Regaining her senses, Lucibello is shocked to watch on the news that the government has passed legislation banning abortion across Etruria. Her shock is rocked by her mother, Aurelia, calling her and screaming down the phone at the news she wants to terminate her child. Her mother triumphantly reminds her that she will now be unable to terminate, and looks forward to meeting her first grandchild. She hangs up on her mother and calls the number provided by the doctor.
After meeting the colleague (Augusto Iezzi), who states that he can no longer provide her a service, she returns home and searches on the internet how to conduct an early termination at home. After a moment of distress, in which she rails at being forced to choose, she enters the bathroom and shuts the door.
The film ends with Maria opening the front door and calling out for Sotiriana to silence. The TV is blaring images of the Etrurian president celebrating the end of abortion in the country and proclaiming a restoration of family values. She searches the messy and unkept home, before entering the bathroom where she shrieks in horror.
Cast
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- Olimpia Carano as Sotriana Lucibello
- Frederico Armani as Simone Lucibello
- Rosa Verdi as Aurelia Lucibello
- Giovanna D'Santi as Maria Scarpetta
- Alessandro Gaetano as Massimo Pasqualino
- Augusto Iezzi as Dr. Gioralamo Gagliardi
- Matteo Scorzi as Dr. Giuseppe Abate
- Aurelio Renato Sorrentino as the Priest
- President Francesco Carcaterra stock footage
Production
Fiora D'Rossi, who wrote the script for Nascent Love, penned the work in early 2020 in response to the ban on abortion that year, however, she reported to La Donne, that she struggled to find production companies eager to turn her work into a film due to its controversial themes and plotline. However, in March, Artemide Studios bought the rights to the film and immediately set about producing the film. In June 2020, it was announced that Olimpia Carano Frederico Armani and Rosa Verdi had been cast as Sotiriana, Simone and Aurelia respectively, and that Leonora Gemelli would direct the project. In July, it was confirmed that Giovanna D'Santi had been cast as Maria and principal photography began that month.
Filming began in the summer of 2020 in Faulia and Caoria and concluded in January 2021. Post-production and editing began in February 2021 and was concluded by April. Lucibello's home in Faulia was confirmed to be the personal residence of Vittorio Caravaggio, one of the producers, it was used due to Gemelli's love for its contrasting modernity and traditional style, which she described as an "excellent portrayal of life for Etrurian women."
Gemelli, who worked closely with D'Rossi, sought to portray Sotiriana's situation as realistically as possible relied upon obstetricians and women who under-went early terminations during the period the film is set. D'Rossi and Carano both remarked that this process as "haunting and tragic." The decision to include stock footage of Etrurian politicians, including President Francesco Carcaterra was a "heavy one", but despite concerns by the producers, they relented. In August 2021, D'Rossi and Gemelli both remarked to Il Messegero di Aventino, "this is a real-life story, it has real names and faces to it, he [Carcaterra] is one of them."
The film utilises Gemelli's characteristic use of Long takes, the scene where Lucibello visits the state-run medical clinic is 18 minutes long and shoots Lucibello alone for the entire duration, the final scene in which Maria searches the home is centred solely on the television showing President Carcaterra give a speech about family values, hiding the physical reaction of Maria as she discovers Lucibello.
Nascent Love is the first major Etrurian film production to be directed, written and produced by women.
The movie soundtrack was produced by Ugo Calvi, whom after lengthy discussions with Gemelli decided to produce a score that reflected the growing "distress of the lead character", which warm and joyful tones at the beginning of the film, before descending into a dark manic score in the final act.
Release
Critical response
Domestic
The film proved highly controversial in Etruria, with the left-leaning press praising the film plot, Carano and Verdi's acting, while the right-wing press denounced the film as a false portrayal of female life in Etruria. The film was also criticised by members of the Tribune Movement which was depicted through stock footage via news broadscasts and shots of newspapers. The controversial response to the film was reflected by the review aggregator CinEtruria, recording the film having a 62% approval rating based on 396 reviews, with an average rating of 6.10/10.
Several critics named the film among the best of 2021, including Stefania Giannotti of Il Popolo, and Sotiriano Enrico of CineEtruria. Writing for Il Popolo, Gianotti said, "this film is perhaps one of the greatest in terms of acting skill, the chemistry and passion of Carano, D'Santi and Verdi is unmatched in other productions this year. The film is perhaps the most tragic, saddening, but needed." Enrico wrote for CineEtruria, "this is without question the greatest production by Gemelli of her career, while Carano is surely elevated to the pantheon of true talent. This film is a testament to their skill, just as much as it is an inditement of Tribune Etruria.” Isabella Ralli, writing in the Posta Stazzona said, "the camera shots, the score, the characters, their portrayers all culminate together into producing one of the greatest tragedies of the century so far. Nascent Love is without question one of the darkest films to be produced, that turns the lead and the viewer from one of joy to utter dispair by the end. It is the finest examples of a film depicting the pysche and torment of all women who lack complete control over their lives."
On the otherhand, the film was criticised by Leonardo Bessia at the Telegrafo Solariano who described the film as a "grotesque distortion of life for Etrurian women, rather than serving as a martyr for the female cause, Lucibello serves as a warning to women who would allow themselves to sink so far down into despair over life's greatest gift. The film's depiction of her dismissal of adoption for her unborn child is not a warning, but the perfect image of a modern belief system that condemns the unborn." Bessia awarded the film 1/5 starts.