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'''''Daynça Viž''''' ({{respell|DINE|sa|VIZH}}, lit. "free display") is a {{wp|art movement|visual art movement}} in [[Seketan]] that emerged after the [[1978 Seketese revolution|collapse of the Kjedorate regime]]. The movement primarily encompassed {{wp|visual art}}, {{wp|literature}}, and {{wp|cinema}}. Its adherents broadly opposed [[Kjedorate regime|authoritarianism]], as well as the embracement of {{wp|counterculture}}.
'''''Daynça Viž''''' ({{respell|DINE|sa|VIZH}}, lit. "free display") is an {{wp|art movement}} in [[Seketan]] that emerged after the [[1978 Seketese revolution|collapse of the Kjedorate regime]]. The movement primarily encompassed {{wp|visual art}}, {{wp|literature}}, and {{wp|cinema}}. Its adherents broadly opposed [[Kjedorate regime|authoritarianism]], as well as the embracement of {{wp|counterculture}}.


Identified as a {{wp|Golden Age}} of [[Seketese art]], ''Daynça Viž'' was preceded by underground [[Zemasy art]] and was highly influenced by outside {{wp|Western world|Western}} {{wp|popular culture}}. The term ''Daynça Viž'' originated from muralist [[Amvel Elisen]] whose [[Onsd: Daynça Viž|1978 piece]] was boldly captioned ''Onsd... daynça viž'' (lit. "art... free display").
Identified as a {{wp|Golden Age}} of [[Seketese art]], ''Daynça Viž'' was preceded by underground [[Zemasy art]] and was highly influenced by outside {{wp|Western world|Western}} {{wp|popular culture}}. The term ''Daynça Viž'' originated from muralist [[Amvel Elisen]] whose [[Onsd: Daynça Viž|1978 piece]] was boldly captioned ''Onsd... daynça viž'' (lit. "art... free display").

Latest revision as of 23:25, 16 June 2023

Daynça Viž
Years active1978—1980s
CountrySeketan
Major figuresRividje Alité, Gjord Lindgren, Amvel Elisen, Eryc Oly
InfluencesPostmodernism, Expressionism, French New Wave, New Hollywood, hardships of Zemasy

Daynça Viž (DINE-sa-VIZH, lit. "free display") is an art movement in Seketan that emerged after the collapse of the Kjedorate regime. The movement primarily encompassed visual art, literature, and cinema. Its adherents broadly opposed authoritarianism, as well as the embracement of counterculture.

Identified as a Golden Age of Seketese art, Daynça Viž was preceded by underground Zemasy art and was highly influenced by outside Western popular culture. The term Daynça Viž originated from muralist Amvel Elisen whose 1978 piece was boldly captioned Onsd... daynça viž (lit. "art... free display").

See also