Daynça Viž: Difference between revisions

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{{WIP}}
{{Infobox
{{Infobox
| bodyclass    = vevent
| bodyclass    = vevent
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| titleclass  = summary
| titleclass  = summary


| image        = [[file:Kino1986leningrad.jpg|200px]]
| image        =  
| caption      = The band [[Aj Groupe]] with singer [[Eryc Oly]] practising, circa. 1984
| caption      =  


| label1      = Years active
| label1      = Years active
| data1        = 1978—1990
| data1        = 1978—1980s
| label2      = Country
| label2      = Country
| data2        = [[Seketan]]
| data2        = [[Seketan]]
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| data3        = [[Rividje Alité]], [[Gjord Lindgren]], [[Amvel Elisen]], [[Eryc Oly]]
| data3        = [[Rividje Alité]], [[Gjord Lindgren]], [[Amvel Elisen]], [[Eryc Oly]]
| label4      = Influences
| label4      = Influences
| data4        = {{wp|Postmodernism}}, {{wp|Expressionism}}, {{wp|French New Wave}}, {{wp|New Hollywood}}, {{wp|Progressive rock}}, hardships of [[Zemasy]]
| data4        = {{wp|Postmodernism}}, {{wp|Expressionism}}, {{wp|French New Wave}}, {{wp|New Hollywood}}, hardships of [[Zemasy]]
| label5      = Influenced
| label5      = Influenced
| data5        =  
| data5        =  
}}
}}


'''''Daynça Viž''''' ({{respell|DINE|sa|VIZH}}, lit. "free display") is a broad {{wp|art movement}} in [[Seketan]] that commenced after the [[1978 Seketese revolution|collapse of the Third Seketese Republic]]. It is characterized as an innate rejection to {{wp|authoritarianism}}, as well as the embracement of {{wp|artistic expression}}, {{wp|counterculture}}, and {{wp|youth culture}}. The movement encompasses {{wp|film}}, {{wp|music}}, {{wp|literature}}, {{wp|theatre}}, and {{wp|visual art}}.  
'''''Daynça Viž''''' ({{respell|DINE|sa|VIZH}}, lit. "free display") is a {{wp|art movement|visual art movement}} in [[Seketan]] that emerged after the [[1978 Seketese revolution|collapse of the Kjedorate regime]]. The movement primarily encompassed {{wp|visual art}}, {{wp|literature}}, and {{wp|cinema}}. Its adherents broadly opposed [[Kjedorate regime|authoritarianism]], as well as the embracement of {{wp|counterculture}}.


Identified as a {{wp|Golden Age}} of [[Seketese art]], ''Daynça Viž'' was preceded by underground [[Zemasy art]] and was highly influenced by outside {{wp|Western world|Western}} {{wp|popular culture}}. The term ''Daynça Viž'' originated from muralist [[Amvel Elisen]] whose [[Onsd: Daynça Viž|1978 piece]] was boldly captioned ''Onsd... daynça viž'' (lit. "art... free display").
Identified as a {{wp|Golden Age}} of [[Seketese art]], ''Daynça Viž'' was preceded by underground [[Zemasy art]] and was highly influenced by outside {{wp|Western world|Western}} {{wp|popular culture}}. The term ''Daynça Viž'' originated from muralist [[Amvel Elisen]] whose [[Onsd: Daynça Viž|1978 piece]] was boldly captioned ''Onsd... daynça viž'' (lit. "art... free display").
==Origin==
Before the [[1978 Seketese revolution]], the [[Third Seketese Republic|Republic of Seketan]] was a {{wp|dominant party}} state with the [[Kjedorate Party]] holding control since 1924. The period leading up to the revolution, known as [[Zemasy]], was struck with economic hardship and ethnic nationalist-motivated violence. Art during Zemasy that was politically critical was often censored, and {{wp|Western world|Western entertainment}} was often difficult to obtain. After Seketan's transition to democracy, artistic expression was liberated and what followed were unprecedented works that expressed previously censored or restricted sentiments.
==Manifestations==
===Cinema===
====Film techniques====
===Visual arts===
====Sculpture====
===Music===
====Rock====
====Jazz====
===Literature===
====Poetry====
===Theatre===
==Fjeska==
==Wilskland==


==See also==
==See also==

Revision as of 23:25, 16 June 2023

Daynça Viž
Years active1978—1980s
CountrySeketan
Major figuresRividje Alité, Gjord Lindgren, Amvel Elisen, Eryc Oly
InfluencesPostmodernism, Expressionism, French New Wave, New Hollywood, hardships of Zemasy

Daynça Viž (DINE-sa-VIZH, lit. "free display") is a visual art movement in Seketan that emerged after the collapse of the Kjedorate regime. The movement primarily encompassed visual art, literature, and cinema. Its adherents broadly opposed authoritarianism, as well as the embracement of counterculture.

Identified as a Golden Age of Seketese art, Daynça Viž was preceded by underground Zemasy art and was highly influenced by outside Western popular culture. The term Daynça Viž originated from muralist Amvel Elisen whose 1978 piece was boldly captioned Onsd... daynça viž (lit. "art... free display").

See also

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