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Min

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Realm of Min
ନମ଼ଆ ନୋ ମିନ
Banwa no Min
Flag of Min
Flag
Motto: 
ସମ୍ଜଅଚୟା ଆକା ପଞଞସିଅନ
Sampacaya a ka Pangangasian
“Faith and Mercy"
Anthem: 
ତୌ ନୀ ଶୀ
Tao ni Si (Pala)
"People of the Lion"
Location of Min in Borea
Location of Min in Borea
CapitalSijang
Largest CityKahavan
Official languagesPala, Kavia
Recognised national languagesKebabati, Malang, Mageyani
Recognised regional languagesThianchinese, Khadamese
Ethnic groups
see Ethnology
Demonym(s)Min
GovernmentDevolvedb Unicameral Constitutional Monarchy
• Queenc
Kwan-im
Si Amaia
Saramat
LegislatureAssembly of State
Foundation 
700-800 BCE
• Rise of Sibari
909 CE
• Solar Government
1345
• Interbellum era
189X
• Current Constitution
1968
Area
• 
365,434 km2 (141,095 sq mi)
Population
• 2017 census
54,332,012
• Density
148.68/km2 (385.1/sq mi)
GDP (nominal)estimate
• Total
931 billion
• Per capita
$17,143
Gini31.55
medium
HDI (2013)0.773
high
CurrencyBalavang (ବ/฿) (MBR)
Driving sideleft
Calling code.461
ISO 3166 codeMIN
Internet TLD.mn
  1. As liturgical and prestige language, used mainly by Royal Archives
  2. Provinces and municipalities given significant leeway on local policy, bearing their own provincial assemblies
  3. Serves executive role as nominal presiding officer of the Assembly of State.

Min (ମିନ), also known as the Realm of Min (Pala: ନମ଼ଆ ନୋ ମିନ Banwa no Min) is a sovereign state in southeastern Borea, bordering Xiaodong on the north and east, Kraong Nam on the west, and Narmada on the west and south. The country encompasses the whole of the Talung Bay's coastline, surrounding the Lion's Gulf which Min has maritime territory on. It has a population of 54,332,012 people with a population density of 320/km2, with a nominal GDP of about 931 billion. Its capital, Sijang is situated in its central coasts. The largest city is Kahavan, bordering south of the capital.

Min is considered an odd abberation in the mostly Monic East Borea. A matriarchal Boreolahudic nation officially adhering to a Dharmic faith (Khaturvism), modern Min is also markedly more communal, cosmopolitan and optimistic in outlook and attitude (brought forth by indigenous mindsets and economic development in the late 20th century) in contrast to the more closed and strict societies prevalent in the region. Despite this, the country has managed to forge close relationships with its neighbors, most particularly Senria.

Min is born out of the rump of the ancient Narmado-Monic Myin rice kingdom in the 3rd century BCE which flourished during the Classical Period. It rose expanded in the reign of Sibari (880-965), a Khaturvi priestess, who consolidated her own power in the name of her faith. Sibari waged numerous campaigns against its neighbors in a war of conquest, covering much of the current Min territory and reaching its highest extent in 1313, reaching southern Tinza in the north to XXX in the south. Min's prominence in the region would wax and wane over time as other powers in the continent rise to prominence.

In the mid-19th century, Min entered a state of rapid modernization: introducing a fixed constitution, allowing the development of mechanical industry and establishing a nationwide rail and telegraph system. This however did not translate well into the Volatile Century, as internal politics would cause them the Great Borean War which has lead to major setbacks and lagging amongst other polities. In the aftermath, much of the focus became towards reconstruction and reconsolidation of the country, holding its ground in the Burning War.

In the 1960's, the Queen Tay'usa introduced a series of reforms, democratizing the government, abolishing the aristocratic estates, introducing devolution, enshrining a Bill of Rights, reopening global trade and developing major infrastructure. Tay'usa's project for modernization has continued to her successors, drifting towards sustainable policy as espoused by Lion Queens Parung and Kwan-im. Currently, Min is considered to be among the most liveable countries in the region and ranked "most free" in Eastern Borea under the parameters of the Esquarian Freedom Index. It is a member of the Commonwealth of Sovereign States (formerly of the Tengkong system) and the XXX.

Etymology

Min is a direct etymological descendant of the classical Myin state. The country claims direct continuation from the ancient polity, from which the first Queen Sibari has took root in the foundation of the Min Empire. The word Myin is of ambiguous origin, though some Monic (particularly Tuthinan) historians, from the Syodongmun transliteration of the country's name, 閩 (myun, the radical 虫 meaning snake), assume the name comes from Amung, the old Pala word for snake. According to the Royal College in Sijang, it descends from a pre-Narmadic word for beast, *Mrga.

Other, more archaic terms for the country include sumpukaasan (ସୁମପୁକାଅସନ୍) and caparawana (ଚପରଊାନା) (both meaning "burning forest") in Boreolahudic, jvalavana (ज्वलवन​) in Narmadic, and niangiao (燃國, ranguo, khwagiaw, rankwok, niangiao) in Monic, all in reference to its landscape and culture.

The official name of the country, the "Realm of Min" (ନମ଼ଆ ନ଼ ମିନ Banwa no Min) was adopted in 1961. Originally, the country was referred to as the Sacred Kingdom of the Lion (ତେମ୍ବନ ଓ କରତିୀଅନ ନୋ ସୂମ୍ପୁସିୀନ୍ Tembana o Karatian no Sumpusin). The modern name was chosen during the Tay'usa reforms as part of her drive to separate the Cult of Sumpusin and the government's affairs from each other and de-emphasizing the percieved role of the monarchy in the new government.

Geography

While mostly a lowland and coastal country, Min's interior is decidedly hilly and mountainous, owing in part to the Budhingan mountain range (aligned with the Huashan range), serving as Min's natural border with XXX. Compared to the less steeper topography of the northern regions, southern Min's mountainous terrain is much more pronounced. Min's largest mountain, Mount Bulavan stands at 2,934 meters and is located at the province of Gandanggungan in southern Min. The northern portion of the country, while as not as pronounced as the former, has a quite distinctive hilly topography that prop up around the region.

Due to the country's topographical qualities, Min also runs a long and snaking river network with the Kebabawi and Kuto rivers serving as its primary stems, which starts in the volcanic Beyang lakes and from Arungshina province. Most arable land in the country is irrigated from the waters of this network, allowing for agriculture and some pastoral culture. The country takes much of the Talung Bay's coastline, which is the middle part of the larger Lion's Gulf. Much of the rivers within the country flows out of the expansive bay. A good portion of the Talung Bay's coastal waters is shallow, which allowed for fishing communities such as Ambilan and Aycin to thrive over the sea.

Climate

Min sports a generally subtropical and temperate climate, though the interior, due to its mountainous terrain, sports a more latter climate. In the winter, the northern half of the Budhingan mountain range is generally alpine above the tree line a third of the year. The Lahudic archipelago protects the region from the yearly monsoons and typhoons blowing west. The northern regions sport a three season (spring, summer, autumn) year while the lowland south only has two (summer, rainy).

Min's biomes are generally heavily forested, save for the coastal lowlands which support more traditional agriculture (see agriculture) though it tends to have variations between the north and south. The north, most particularly its mountainous highland regions, have a more temperate rainforest biome. The south has a more tropical biome, which is more pronounced during the summer. The average summer temperature in Min is 26°C while the winter averages to 3-5°C. Rainfall tends to be moderate to low, though it is much higher within the coastal and southern parts.

Biodiversity

A school of Cownose Rays (ତମ୍ପାଗୀଞ୍ tampaging) in the shallow waters of the Talung Bay.

The country hosts about over 1,300 recorded animal and plant species, about two-thirds of them endemic to the country. Min's great biodiversity, owing to its extensive coastline, coral reef system, varying geography and a general rainforest climate. Min's diverse ecosystems have played part in the development of tourism in the country. Min's extensive biosphere is protected by the Ministry of Serenity.

Abundant with tropical and oceanic-temperate ecosystems such as the Acaya Tropical Pines ecoregion, it is considered one of the most megadiverse countries in Borea, if not the world. Such regions have hosted an exotic and diverse set of flora and fauna, which have influenced Min's depictions in contemporary Orientalism. Notable mammals and reptiles include the Boreatic lion and tiger, the clouded leopard, the kakuuka, monk sloth, Min cobra and the Talung crocodile. Notable birds include the monkey-eating eagle, southern hornbill and the black crowned crane. The amarang, aloe tree, punumpuya, Boreatic pine, burning tree and the kainitu are examples of Min's subtropical flora.

Similarly, Min's oceanic territories are also filled with diverse marine life, bearing the second largest coral reef system in the world (the Alungsina reefs) and the fifth-largest mangrove forest in the world (the Hakavay). Lionfishes, igat, cownose ray, milkfish and ayungin are common fishes in the region. The Talung Bay's warm waters have also sustained the cultivation of pearls, shrimp, crabs and seaweed. Min is also a frequent spot for migratory species such as the Voragic oceanic ray, spotted jelly, sea turtles, and the common crane. Numerous smaller Mangrove and Kelp forests also pepper the Talung Bay, the latter being a major hotspot for wild fisheries the coasts.

History

Prehistory

  • Continental austronesian Urheimat in modern Duljun, displaced by tungusic poeples, moved from Tuthina by Senria, expanded to Sentira and Malang

Rise of the Rice Kingdoms

A Rice kingdom period palangun. Note the similarities with A'toana steel drums.

The development of agriculture and relative ease in travel thanks to an earlier seafaring and riverfaring heritage precluded the expansion and progress of the Boreolahudic peoples, who by the XX century BCE has ranged from Thianchin to far eastern Narmada (Matengese). In particular, the northern and central portions of the Boreolahudic urheimat were benefiting from trade with other societies in what is now Senria, Tuthina and Xiaodong, as attested by archeological evidence of Monic artifacts and products (seaweed, jade, stoneware) in Amanggayo, southern Min. Some researchers note this as the earlier instance of the Lahudic trade network.

[living in forests]

In the ferment of the Boreolahudic peoples (which by c. XX BCE have split into the Matau and Maurang branches), perhaps out of tribalism and geography: Min's western border roughly follows the Budhingan mountain range. This relative isolation (save for some Maurang and Dravidian contact) from their Boreolahudic fellows would have been a factor in the development of Pala society as a radically distinct culture, which coalesced as one in XX BCE.

Old Pala society followed early Etiolahudic standards: decentralized and demotist...

  • description of Pala society
  • classical period
  • Khaturvism develops amongst the west Austronesians (Kraong NAm)
  • Synoecistic city-states, which ruled through their protection of the rice paddies (hence rice kingdoms)

Rise of Sumpusin and Sibari's Empire

Influenced by divine revelation, Sibari set forth to institute a theocratic empire accross the Borean coasts.

Khaturvism, a codified animistic religion developed in XXX (east of the Budhingan mountains), entered the region around the 1st century. The city-based node structure of the Pala petty kingdoms, along with a rising scholarly tradition in the coast and the XXX helped foster the more philosophical and hierological aspects of the faith. This ferment eventually springs forth Khaturvism's esotericism that would define the later Min state and its spread in Borea.

A key polity that cemented the position of Khaturvic religion in the late Classical period was the Kingdom of Myin (now the Kesumpusian). A relatively moderate power within the bay, Myin was the epicenter of Khaturvi activity. Its capital, Sarangi-an (modern Kahavan) was a center of religious learning and a pilgrimage site. Influenced by the native traditions, Khaturvism in the coasts would later take up an esoteric character, gradually focusing on the dynamic and mystical character of the element of Fire, personified by the god Haryapuya (called ସୁମପୁସିଂ Sumpusin in Min). The gnostic ferment in the kingdom would only truly deviate from the old orthodoxy in the mid 7th century CE. By that time, the Khaturvi clergy in Sarangi-an have entered into a close relationship with Myin's monarchy.

[...]

  • Sibari gets revelation, kills Queen Kalang, effectively destroying the Myin kingdom. In its place is the priesthood, which would later develop into its own monarchy (cf. Dalai Lama). Sibari becomes the Lion Empress
  • imperial period
  • Early conquests include crossing the Budhingan to whatever Narmada will be now, then Tinzhan, Xiaodong, the south, eventually warring with Tinza.
  • Sibari dies childless, replaced by adoptive daughter. Elective monarchy — similar to Lama/Kumari choosing, albeit a bit biased towards the relatives of the past queen
  • Cult of Sumpusin begins to solidify as actual doctrine, construction of the first temples
  • Decline after four generations, eventually eclipsed by Xiaodongese and Tinzan states

Avakang period

  • "crow period"
  • Min territory shrinks, mostly northern States
  • subjugated by Jiaos and later Tinzans
  • monarchy eventually becomes officially hereditary, "illness of the mantra"
  • southern kingdoms become independent (?), further trade in the Talung bay creates new merchant class, the Sangkri

Correction of the prophecy

Shrine to the Temple of the Hidden Flame, built in 723, served as the political and religious center of Min until the creation of the Royal Temple in 1131.

Min experienced a recovery in the reconstitution of the Lion Throne in 1129.

  • Radiant period, the revitalization of the throne and the formation of the "Sijang regency"
  • reestablishment of Min dominance in the Talung, Min gains southern part (and further south)
  • economy defined by now powerful Sangkris, supplanting the northern feudal lords
  • reestablishment of the old elective order, revival era
  • center of trade and commerce in continental Borea
  • Min by this point is like a feudal theocratic confederation.
  • Audience in Tuthinan and Akai courts, moreso to Akai kingdoms (religious intolerance?)
  • takes over much of Tinzhan
  • Much of Min imports from Akai, Senria
  • peasant revolts
  • Toki shogunate, min has to react
  • Nordanian audience in Lion's palace

Northward shift and the Solar government

Katava Si Aman

The (something something Toki shoguns) marked the beginning of a profound transformation in the country's general outlook. Before the 18th century, Min was still a loose feudal confederation of local rulers bound mostly by feudal levies and the religious authority of the Lion Throne. The country was still technically considered a disorganized backwater conmpared to the more developed Monic states in the north. However, further increases in trade with the northern and Lahudic states, which led to further economic development, incidentally spurred a domino effect of trends starting from affluent families sending their children to more prestigious colleges in Tuthina and the Toki Sougunate to the rise of interest in Monic culture and customs. This period of partial Monicization of the elite is the "northward shift", in which the country's social outlook moves from the traditionally Khaturvic south to the Monic north.

The northward shift extended to higher learning and the arts, with Ruist ideas supplanting much of the esoteric studies of the Imperial era. Khaturvism and Monic philosophy converged and clashed during the northward shift, and has been instrumental in the creation of the modern Min state. In particular, a group of Monicized scholars called the Solarists founded in 1715 gathered a considerable audience among the elite, which argued for a centralized government under a righteous and mahadarmic ruler. These ideas garnered interest among the magistrates and nobility of Sijang and its environs (modern Kasumpusian province), which was also instrumental in the development of public service in the region.

In 1720 Solarist Katava Si Aman (also known as Mian Huo) wrote the On the Fundamental Order of the Burning Light, which organized and expounded the earlier ideas of her colleagues. In Fundamental Order, the Min world is understood in Khaturvic terms, while human nature is explained in Monic principles. Using that formulation, Si Aman envisions the ideal Min state as a centralized, bureaucratic autocracy in which the Lion Throne is viewed as the vessel of Balahari and Sumpusin, and its holders as instantiations of the divine. In order to revitalize the divine glory, people must practice their duty as contribution to the betterment of society's collective Dharma. The Queen, who is sovereign by the large Dharma she bears in her soul, is to rule over her subjects "as the sun does over mortals", who are "blessed by the serene warmth of the royal countenance".

Fundamental Order was thoroughly read and praised by Queen Kinaran. Deeply inspired by Si Aman's ideas, Kinaran invited her in the royal court for the long term, eventually becoming her premier advisor. This was formalized in 1723 with the creation of the Royal Chamberlain, serving as the administrator of the Royal Palace and the private counsel of the Royal House. Under her administration, the priestly government of Sijang underwent a period of formalization and expansion. The first Council of State (based on the Tuthinan Imperial government) was established, and the destitute temples to Sumpusin throughout the country were renovated and given administrative powers. These changes and the newfound authority of the Lion Throne was stringently enforced by the Glorious Legion, a predominantly cavalry force ordered to defend the divine character of the country against external (invasion) and internal (heresy) threats. The Glorious Legion eventually came to serve as the country's standing army until the Tay'usan reforms in the 1960's.

The nobility weren't spared from the change--the power of the ratukapas was severely limited, delineating the boundaries of their holdings, declaring anyone who oversteps the Queen's power as heretics, and moving their residence to the capital so they will be observed closely by the Monarchy and Chancellery. This was also coupled by the foundation of the Court of Colors, a holy consultative assembly of priests and nobility, both as a pretense of the government's intentions and as an expression of a "harmonious society".

The Thianchinese quarters in Kahavan in the 1850s.
  • Tianchin breaks free then goes back to Min, long and winding Tianchin conflict becings
  • continued by Queen Payung
  • infrastructure goes big, Min palace renovated to current state
  • rise of sakarism
  • bourgeois class forms from new merchants and old sangkri
  • Industrial revolution reaches Min but it's slow as shit lmao fucking burukrata-pyudalismo
  • sangkri develops into Kuluvaya businesses and challenges the prevailing Estates, which remain powerful in the country

The Volatile Century

  • Borean war — differences are put away as big bad red menace sweeps, Min joins in. Sakdalanist currents become influenced by revolutionary left thought
  • Tay-usa becomes Queen and democratizes as Xiaodong goes authoritarian
  • further modernization, distrust with Xiaodong and alliance with Senrian begins
  • Narmadic revolution begins
  • The Budhingan insurgency — revolutionary nationalist democratic-bakuninism becomes a thing for some reason, backed by the Borean Internationale or smth
    • Radical socialists, governments and Sakarists in a three way match in the South Borean Crisis

Post-Volatile Century

The 1999 signing of the Accord of Harmonious Communion between the syndicalists and government parties were successful enough to be warranted to mark the end of the Volatile Century in Min. The accord, which constitutes an indefinite ceasefire and a proposition of "mutual coexistence" and, (furthering Tay-usa's conciliatory attitude with Maya-ili) open interaction between the two polities (albeit recognizing Min's diplomatic authority) were deemed acceptable terms by the Neo-Sakarist Kailian Militia. This would stick out a sore thumb towards the more conservative and anti-revolutionary factions of the Assembly, sowing the seeds of the traditionalist-royalist Roaring Sages movement. The Queen's death in 2000 gave the monarchy no time to address the royalists' scathing accusations that the House has betrayed Sibari's prophecy.

Before her death, Tay-usa have already groomed her chosen successor, Parung (her niece) at the expense of the original heir apparent, her eldest daughter Kala. At her enthronement....

  • Beginning of the Sun-Lion diarchy - ceasefire between Maya-ili insurgents and government
  • Parung succeeds Tay-usa, furthers reforms anf leads peace negotiations with Maya-ili
  • Kwan-im becomes queen, the wokest of them all
    • people's ecology

Government and administration

The Royal Palace, the residence of the Royal House and housing the office of the Council of State.

Min in a basic sense is a devolved constitutional monarchy where the the Queen (currently Kwan-im) is head of state, who presides—along with the Chancellery—the Council, which collectively serves as head of government along with primary ministries. Since the 1960s, Min sports a democratic system with universal suffrage situated within its traditional constitution. The unicameral Assembly of State serves as the central expression of that system. On the local level, there are varying but pervasive implementations of direct democracy among its municipal localities. Min's constitution, the Fundamental Decrees (ଟଯ୍କନିଯାବନ୍ taykaniyawen) serves as the basis of the country's government.

Besides the Monarchy, other high positions of power in the Council include the Royal Chamberlain and the Chancellery of Min, whose Right and Left Chancellors serve as official policy counsel to the Throne and the principal head of administrative affairs, respectively. The Chamberlain heads the Royal Office and serves as both representative of the Throne's will and its primary bridge between the Eight Ministries of the Council and the members of the Assembly.

The besides the Fundamental Decrees, Min as a nation-state is founded upon the Prophecy of Sibari, which proclaims Min as the future purveyor of a new Dharmic age. Khaturvism is still a significant force within the country, which is the first and foremost basis of the Min state. Min's nominally-theocratic nature is expressed by the continued role of the Queen—or at least, the Royal Throne—as the high priestess of the state ecclessia. This role serves ceremonial purpose in modern times after the royally-backed policy of minimizing clerical interference in the 1960s.

Power between the central government and its constituents (the provinces and the metropolitan regencies) is significantly on equal footing and serve a high degree of autonomy in local affairs. Local governments handle their own provincial and municipal assemblies similarly structured to the Assembly of State. These "lesser assemblies" have a considerable effect on the election of the members of the Assembly, and sometimes the deciding factor on the policies and members of the central government.

Tuthinan and Pala law constitute the basis of the country's legal system, as expounded in the third fundamental decree of the constitution. However, proceedings in Min law since the reforms has been more or less been inspired by its counterparts in Senria. The Concordance of Jurists (also a part of the Council of State) serves as the country's judiciary, divided formally into three levels (municipal, provincial and national). Religious law is handled by a section of the Concordance representative of the Cult of Sumpusin.

Administrative divisions

Officially, Min is a unitary state composed of 17 provinces (କଉପଅନ୍ kaupaan) and six metropolitan regencies (kaijangan which is symbolically under the direct authority of the Royal government. In practice, all of the provinces (except Kasumpusian) have a considerable degree of autonomy from the center, having their own regulations and provincial assemblies. In contrast, the metropolitan regencies are essentially independent from central government's oversight, only bound to the Min's sovereignty under the Fundamental Decrees.

Both province and regency follow the structural model of the central government, helmed by a local executive (କୁଊାମକପ kuvankapa "governor" for provinces, ଚତୁକପ ratukapa "chief" for regencies) which presides over a Board of Local Affairs with a lesser assembly. Municipalities within the provinces operate under a participatory court system with a collective board handling day to day administration. Only the judiciary branch isn't affected by devolution, whose courts still answer directly to the Concordance of Jurists in Sijang (though takes into consideration local laws).

Provinces of Min
File:MinProvinces.png Name and emblem Capital Largest settlement
Sikasan Sijang Sijang
Pamacikan Amavaya Ra'uka
Kebabatian Susurawen Arawan
Gandanggungan Lawinan Kagingan
Arungshina Cantarapura Cantarapura
Banunglahut Pura Sivarka Pura Sivarka
Kasavohan Vanangvanang Vanangvanang
Icyang Atikayo Atikayo
Sirayat Suturul Baru
Amanggayo Payapayaw Bulanged
Erava Acalaratura Japalapura
Devimaha Mayapura Sanggangan
Kavaya Macia Macia
Template:Country data Kataguran Makawayan Namamanggayan
Template:Country data West Thianchin Chhuingui Chhuingui

Foreign relations

Min is a member of the International League and Commonwealth of Sovereign States, the latter of which it is supportive of fostering cooperation amongst its members, especially Senria and Tuthina. The Min government has also been particularly vocal in its support for social development and reform in Borea, and has been a benefactor of civil society groups in the continent. It has worked to forge mutual relations with similarly democratic states in the continent such as Aucuria and Namor. Current policy has been described as "crypto-Concordian", "cultivating harmony [amongst friends] while upholding sovereignty". It has been critical of neighboring countries with particularly repressive regimes, such as Tinza and Xiaodong.

Min officially stands in opposition towards Xiaodong's Three Fundamentals and military protocol has been based in defending Min interests against the Xiaodongese. Belligerency with Xiaodong owes to long conflict during the Volatile Century and the running dispute towards Thianchin. Public opinion against Xiaodong is high, mostly due to the country's authoritarian regime and their discrimination against tagailagau. Antagonism between the two nations runs hot well into the present, with the border between the two countries being one of the most fortified and armed areas in the region, next to the latter's northern border.

Out of common antagonism against the Xiaodongese state, Min and Senria have become very valuable and crucial allies and have been open in economic and military collaboration with each other (some might even note a trend of "friendly economic rivalry" between the two countries). Official correspondences are also held between each other, along with intentions for common defense initiatives.

Akai...

Defense, security and military

A contingent of the Min National Ground Army, 2013.

The Min Royal Defense Forces (କସିପୟଅମ୍ ନୋ ନମ଼ଆ ନୋ ମିନ Kasipayaan no Banwa no Min, literally "Army of the Min Realm") is the standing armed forces of the Min, officially handled by the Minister of Militant Affairs and headed by the Monarchy. They are divided into the Min Royal Army, Min Royal Fleet (combined air and naval force) and the Constabulary. The MNPF currently holds an estimate 683,000 active troops and 107,000 in reserve. Much of the MNPF's current strategy (at least among the army, constabulary and the guard) is based on guerilla and urban warfare.

Domestic security and law enforcement outside the capital is primarily handled by a coordinated collective of Local Watches (ମାକିଷ୍ଟ ଓ କାଇଲିଅଂ makisat no kailian) operating throughout every settlement in the country, with its coordinating institution handled by the Chancellery itself.

The Senrian co-produced AKM Pagung, a Bakunava-class corvette over the Lion's Gulf, 2012.

The MNPF is a reconstitution of the preceding Lion's Glorious Legion (ଊାଚୁମଛୋଅୟ୍ ଓ ସିପୟନ୍ ନୋ ସୂମ୍ପୂସିନ୍ Warumazoay o Sipayan no Sumpusin) in 1967. Fearing a possible breach of the Treaty of Shenkong by Xiaodongese forces, Queen Tay-usa reformed the country's military doctrine into one predicated on defense, formally modernizing the military into one fit for its time. The country's obsession with national defense between the years 1968-1993 (the "caltrop" years) are marked with deeper cooperation with the Senrian Republic (a partnership that continues to this day), and expansion of the navy and army.

National defense is handled by the Ministry of Militant Affairs. Under the reign of Kwan-im, the government lends about 12% of the national budget to the military. Since 2010, Queen Kwan-im and Chancellor Saramat has instituted a project of further reform and expansion of the MNPF, phasing out earlier assets to particular paramilitaries or to the city watches (an action met with controversy). This further modernization of the military would later lead to the transition of the Min National Fleet towards green-water status. Since then, Min has worked to rapidly modernize and upgrade its military capabilities to uphold its national sovereignty and interests. Currently, the Min government spends about 2.6% of the national budget to the MNPF.

Intelligence

Originally an exclusive department of the Cult of Sumpusin, the Office of Purity (କନନଊାମ୍ ମୋ କଜଲଊ଼ଞନ୍ kananawan no kajalavangan), also known as the "Red Lily" (ସୁନମ୍ବୂ Sunambu) has evolved into a special department administered directly by the Chancellery and serves as the country's de facto intelligence agency. While still accomplishing its original faculties, the Red Lily is also primarily responsible to the clandestine security of the country, primarily the handling and security of information and individuals that is relevant to the country's national interest.

Founded by the third Empress, Madang, the office has direct affiliation to the Cult of Sumpusin. Officially, the Red Lily works to ensure the fulfillment of Sibari's prophecy through the protection of the sanctity of the Throne and the Queen. It is also purported to hold artifacts and documents held most dear by the Cult. Besides being participant in formal religious proceedings in the capital, activities of the Red Lily are virtually unknown to the public and to most of the government. The Office only answers to the Monarchy and the Chancellery, being also the three persons having full access to their department's assets (and the only ones allowed to formally disclose information).

Economy

Rice paddies in Amanggayo.

The official currency of Min is the Balavang (ବଲଊ଼ଞ୍). It is managed by the Ministry of the Revenue and is circulated by either the Ministry of Abundance or the local government units depending on their level of autonomy from the state government. Min currently has a nominal GDP of an estimated ฿931 billion, with moderate income inequality and a high standard of human development.

The country is a regulated mixed economy and is considered developed by global standards, driven mostly by local private conglomerates (makuluvaya), public enterprises (akatao o tiatian "public estates"), and state-supported common enterprises. Current economic policy has been based around fostering sustainability and local development. The country holds two stock exchanges; one in Kahavan and one in Icandara.

Min maintains a very competent trade and export-based economy and enjoys considerable prosperity since its slow growth during the latter 20th century. Min's local economy is still driven by the extraction and production of raw material, namely agri-aquaculture, fuel (oil and biofuels) and textiles, the former two in which Min is primarily dependent upon. Min's primary exports are textiles, oil, fish, fruit, and tea, while its main imports are chemicals and manufactured goods. Major trading partners include Tuthina, Akai, Senria and XXX.

Agriculture and Fisheries

Fishing boats in Southern Min.

Min is traditionally and predominantly an agrarian country, with about 32% of the country's GDP belonging to the agri-aquacultural sector. About 17% of Min land is arable and cultivated, while 14% of coastal areas are used for fisheries. Rice and millet are the predominant plants cultivated within the country, locally-grown fruits and vegetables are also a major cultivated product. The most popular fruit in cultivation are sun apples and pyrelles. While there have been corporations and guilds that participate in the agricultural industry, it is predominated by individual farmers.

The country's warm current and number of reefs allow for large-scale fishing. Local fisheries make up about 67% of the country's fishing industry, while mainstream fishing fleets haul up to 1.1 million tonnes a year. Despite the agricultural sector's size, it is very subsidized and protected by the government, with regulations favoring small-scale cultivators, fishermen/fisheries and livestock raisers. Specialized aquacultural practices, such as seaweed farming and pearl cultivation are also widespread.

Communications

Communications in Min follows Tuthinan and Senrian models, even sharing similar hardware design albeit with relaxed government control. The telecommunications system is partially nationalized and is nominally under the management and supervision of the Ministry of Public Works. The telephone system is connected by cable to Senria, XXX and XXX. Currently, almost all of Min, urban and rural, are connected through phone lines either through public or private telephone.

With the rise of internet and phone culture in the early 2000's, texting and later online chat has become the country's primary mode of long-distance communication. In 2013, it has been reported that the country exchanged in average at least 1 billion text messages per week. The entrance of smartphones, social media apps and decentralized online transactions have made Min a hotspot for cellular network financing. The country's obsession with phone culture have dubbed Min the world's "cellphone capital".

The Internet in Min was introduced in the late 90's as part of the continuous modernization programs by the government. This was later expanded in 2012 into a nationwide wireless fidelity system. Today the internet is considered a citizen's right, with about 87% of households connected to the global network. While telecommunications access in Min is maintained as universally accessible, private service providers have sprang out recently offering greater quality of service. The largest of these, Amihaya Agitatingog, connects up to 890,000 households.

Tourism

The tourism and travel sector in Min is a notable contributor to its economy, owing about 4.5% to the country's yearly GDP. The sector employs 3.2% of the national workforce. Min annually takes in about 2.2 million international visitors, in which other Borean countries (namely Senria, Luziyca and Qwehyong), take up a majority, next to Conitians and Nordanians. The Department of Serenity, jointly governed by the Office of Serenity and College of Proceedings is responsible for the sector's management and promotion.

One of the primary areas of Min's tourism is cultural, luxury and natural. The country boasts rich biodiversity and its festivities as primary tourists attractions. One of the most popular areas of travel within Min are Sijang, Kahavan, the Budhingan Mountains, Alungsina Reef, Kakarupan and the Temples of Pamacikan, while peak seasons are somewhere during January to March, which is also Min's holiday season. Cintrasuratri, Laungga and Sunugabi are the festivals with the highest tourist attendance.

Infrastructure

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A commercial vertical farm in Kahavan.
A portion of the On-ku system in southern Min.

Min has been extensive on infrastructure since the reign of Queen Tay'usa, continuing and improving on the already established Blessed Vitality projects. Infrastructure in Min has been one of the most advanced in Eastern Borea, with it taking about 18.4 of the national expenditure. Since the late 1970's the Council of State (particularly the Ministry of Public Works) has labored to instigate development throughout the country, starting with the Common Rail and Atagitap projects that expanded travel throughout the country and introduced Min to alternative energies. Along with it are the Min government's continuous spending for the creation and maintenance of rural roads. Through Queen Kwan-im's Social Ecology plan, there was a very sharp turn towards sustainable and local development, amending previous works to adhere to the Queen's Social Ecology standards, while adding some newer ones that are expected to aid in local industry such as vertical farms and geodesic fishpens.

The country has worked also to improve disaster risk management through infrastructure, funding projects such as underground flood discharge systems for the metropolitan regions and national storehouses called On-ku for use in case of supposed social, natural and/or resource-based disaster. The On-ku is prevalent in the urban and suburban areas of Min, though the government is working on making On-ku fully omnipresent in case of large scale calamities.

Transportation

A train station in Ravamana. A nationwide "Common rail" project that greatly expanded the railroad system in the Realm has been ongoing since 1988 and is expected to complete in 2022.

Min since the late 60's have been extensively developing its transportation infrastructure. Challenges for early development included the country's mountainous terrain and low investment in infrastructure developments. Former Queen Parung II would later increase her focus towards this issue, putting about 8% of the country's budget towards developing the country's infrastructure and ordering projects such as the expansive road-rail tunnel and expressway systems.

The Urban Monorail line in Kahavan.

Public transportation is a common mode of movement across the country. Buses, Citawi, taxis, and auto-rickshaws are commonly available in major cities and towns. In 2017, the government has instated new regulations for public transport companies to transition to more sustainable types of transportation technology. In 2015, there have been about 4.67 million registered private vehicles in the country.

Rail transport in Min is extensive and is continually being developed and improved by successive governments on the Lion Throne. Collectively called the "Common Rail" project, the Northern and Southern Lines currently spans from Kajawi to Kahavan and Kahavan to Haybey, respectively. Rapid transit lines in the urban areas are used for intra-city travel, the largest being in Kahavan. National railways utilize Maglev while the urban railways use electric. The rural lines are handled for by Agitabak, a joint public-private rail firm.

Energy

Despite great oil production, Min has resolved on exclusively using renewable energies domestically. Min produces 48% of its energy from nuclear, water, wind and solar power with the remainder on natural gas, generally depending more on the former. However, 48% of Min's electricity is produced by wind and solar, as opposed to nuclear's 34% (hydropower accounts to 15% of total electricity production, the remainder on natural gas) Today there are about 70 power plants throughout the country, 28 of them nuclear.

Demographics

Population and Ethnology

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The Pala constitute the largest ethnic group in Min.

As of 2016, Min has a recorded population of 54,332,012 and recently with a population growth rate of 5.3 a year. About 67% of these population reside in the coastal regions, with 63% of that situated within urban areas. Much like its neighbors, Min has an ethnically diverse population, having been in the proximity of Narmadi, Monic, Lahudic and Boreolahudic cultural spheres. According to the XXX's Annual Report regarding the Peoples of the Borean Nations, there have been confirmed 29 confirmed distinct native ethnic groups in the country, classified under distinct cultural groupings, also known as umbrellas. The largest of these umbrellas (in terms of population) are the Boreolahudic Pala taking up 40% of the population, next being the Bayi at 23%, the Narmadi and Duljunese at 8%, and the Thianchinese at 4%.

The matriarchal Pala people stand as the dominant culture within mainstream Min society, being an umbrella group of 7 cultures (including the Minhava) descended from both Boreo- and Lahudic peoples. Their populations are primarily concentrated around the coastal regions. The Borean Bayi, which includes the Malangaw and the Mageyani peoples are traditionally situated on the highlands and southern coasts, the latter mostly situated around the Kebabatian, Kataguran and Palawangbakian provinces. The Monic Thianchinese, a Monic ethnic group descended from the Minjianese, are a prominent and sizeable minority concentrated in the northeastern coast of the country. Narmadic and Narmadicized people, particularly of the Varnaputri, the Kavanese and the Duljunese exist in considerable numbers.

Immigrant population has been recently rising within the Min. Tuthinans, and Senrians are the largest and oldest established diasporas respectively, most of them having roots from merchant families in the Classical to Regal periods. Respectively, they form about 6% and 9% of the population. A portion of the population with Conitian and Nordanian descent also exists, classified between two waves: the first wave being mainly descended from immigrants from the pre-modern period, with the second coming from more recent expatriates. A majority of them hail from the countries of XXX, XXXX and XXXX. combined, they form 3% of the country's population and are mostly concentrated around the urban regions. Xiaodongese diaspora is a more recent trend, with the majority being political refugees granted asylum and citizenship during the onset of the 21st century. They currently count about 2% of the population.

Religion

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A Khaturvi priest officiating a dance ritual in Pamacikan.

Khaturvism is the state religion of Min, owing much to the faith for its foundations, traditions and society. In particular, Min associates itself with the god Haryapuya, which they include as a prevalent theme in state propaganda. The Monarchy itself is the paramount leader and high priestess of the Cult of Sumpusin, the official institution that upholds the faith. Religious law has been prevalent enough that there is a special section of state judges that are devoted to the discipline. olitical factions that support the Khaturvic faith are a notable influence, with religious orders such as the Semaan no Seripuya having affiliates within the State Assembly. Mayangtali, the collective religious traditions and practices of pre-Khaturvic Min, are also recognized in amongst the aboriginal peoples of the realm.

Officially, about 61% of the country's religious population identify as Khaturvi and 27% being Mayangtali, converging together due to a syncretic phenomenon called Parapaan o Devata, and thus often grouped together in national censuses. Kamism is the third largest religious group, accounting to about 9% of the country's population. Western religions, particularly of Saturnian and Apostolic provenance constitute a significant minority from the western expatriate population, numbering at 2%. Irreligion, whether atheistic or agnostic, is a rising trend, mostly based around younger populations and recent immigrants and account to about 1%. Politically-motivated irreligion is frowned upon in Min society, due to its anathemic attitude to religion in general.

Culture and society

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Royal Attendants in Sijang.

Min is counted among the Etiolahudic ethnolinguistic family (specifically the Boreolahudic), with direct relation to the Tuthinan Aborigines. Min is an ethnically diverse country, with over 150 distinct cultural groups ranging from the northern Thianchinese to the southern Navani. The metropolitan culture of the country is defined by the Pala, a traditionally agricultural people. The Pala dominates pretty much all sectors of Min society, and despite major social changes in the latter part of the 20th century, an air of superiority amongst ethnic Pala (particularly the Minhava of the central provinces) over other native peoples (collectively named the "maranggau") prevails in everyday life.

Min society is matriarchal and religious, traditionally associated with esoteric knowledge and fire. An emphasis towards ritual—informed living is influenced heavily by their traditional adherence to Khaturvic belief, along with other aspects of Min society. Interestingly, modern-day Min is one of the socially progressive countries in Borea, which by the current constitution guarantees equal rights to citizens of all identities. Compared to its neighbors, the Min generally sport a generally loose and enthusiastic temperament, something that has been ingrained throughout their history, even predating the foundation of the Empire. The Pala are also particularly known for their "everyday egalitarianism" These, coupled with a prevailing culture of celebration and festivity (perhaps more frequent and excessive than an outsider might expect) and a religiously-informed usage of psychedelic substances has lent foreign perceptions of the people as "stoned, apathetic degenerates" or "uncontrollable hedonists".

In recent decades, there has been a growing divide between the rural and urban population, the former being typified as superstitious, communal and unrefined, the latter being individualistic, cosmopolitan and pretentious. This ties into the country's old regionalistic attitudes as well, having a great cultural, economic and social divide that exists between the richer northern and poorer southern provinces. Mainly due to the North being much more influenced by Monic cultures, compared to the south which is seen as more native and archaic, with deep affinities to other Boreo-Lahudics and Narmadi. Northern Min culture is defined more by their focus towards closeness between family, outwardness and deep familial ties, while the Southerners are much more based on cooperation with the nuclear family, a deep connection towards nature and esotericism.

Arts

The Congregation of Devatis descend to the Mortal Plane c. 1300. The majority of traditional Min art are religious in nature.

Pottery, blacksmithing, carving, painting, weaving, performance and sculpture are common areas of Min traditional arts, renowned throughout for its sophistication and diversity. Intricate designs, esoteric religious themes and (more recently) an adherence towards a "harmony of contrasts"—pekaiva (ପେକଇଊ଼)—are some of its defining characteristics. Art in Min has been evident since before the Great Monic Migration has reached Eastern Borea, with elaborate cave paintings found throughout the country (presumably Lahudic) date far back to 5,000 to 10,000 BCE. However, later forms of artistic expression would later be dominated by the Boreolahudic peoples, which dominated the east and southeast regions of the continent at the onset of the Rice Kingdoms period. Min has been described as a "nation of artisans" due to their entrenched drive towards creative endeavors, which permeate throughout all levels of society. A craftsman's hand was expected among a person, signifying skill and diligence.

Min's religiously-informed adherence towards the elements, particularly towards the sun, fire and the ocean, and an ancient martial attitude fueled the Min's creative imagination since the Classical period, which gave rise to blacksmithing as a sophisticated craft. Until today, the trade has held an almost sacred position in Min culture, with artisans and guilds most protective of their craft. This elemental fixation also seeped its way into the other artistic forms (mainly painting and sculpture), most notably to their religious art, where the iconography of ritual of fire and light are held in deep reverence. Paintings and tapestries depicting divine figures or events, called katung (କତୁଞ୍) is a great example of this. Similarly, textiles and traditional fashions of the Min utilize similar themes. Various indigenous tribes in the country employ the same motifs of fire and light within their works as well.

The theme of pekaiva is an aesthetic that developed in Min's postclassical period which dominated the later periods of artistic expression in the country. Defined by an emphasis on the synergy of contrasts (Inspired by the principles of Senrian Kamuwism, Tuthinan Mono-no-ahare and Cakraism), pekaiva has strived to attain a dialectical unity of two inherently opposing forces into something harmonic, usually done through the blending or juxtaposition of two radically different literary/aesthetic themes into a single work. This mindset is prevalent until today, galvanized by the later entrance of minimalism in modern Min, a great number of modern art within the country being exemplified as expressions of pekaiva.

Media

Architecture

A Khaturvic temple in Sijang.

Min architecture (ପମ୍ଊ଼ଊ଼ହୟ୍ pamvavahay), while considered to be a part of the wider family of Monic aesthetics, has a key basis from Boreolahudic building techniques. Traditional Min architecture has a relative degree of diversity, with its various ethnic groups having their own distinctive styles influenced by cultural history and geography. In general, Min architecture draws influence and shares elements with ancient Narmadi, Lahudic and Oceano-Monic styles. Most of the extant indigenous architecture in the country are based from stone and wood, with building methods remaining unchanged until contact with ancient East Narmadi and Mon, which considerably influenced Min architecture in the classical period.

Min architecture has a quite prominent difference between north and south. Southern Min buildings, influenced by the Classical Period, are defined by predominant usage of wooden framing and clay bricks, intricate stone carvings, leveled stilts and exaggerated gables (a holdover from the prehistoric tabang architecture of the preclassical period), and a preference for using thatch in roofs. The Northern style utilizes more Monic designs and building techniques, such as preference for tiled swallowtail roofs, more solid foundations and subtle decoration. Local vernacular designs are far more diverse, utilizing a wide range of materials from stone slabs, bamboo, teak wood and even rammed earth. Most religious architecture in Min is still made under the southern style, out of respect to tradition.

Monic-inspired styles from Lahudica became a prevalent sight during the 19th to 20th centuries, most particularly Sinkyou from Senria and Monic neoclassicism from Tuthina which became major bases in urban architecture. The royal palace itself (rebuilt in 1949) was made using Sinkyou's building techniques, its overall design is unmistakably Pala. This "native application" trend was short lived, though it already produced a handful but significant body of work.

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Modern buildings in Kahavan.

Foreign styles only appeared in the country since the late 19th century (most particularly the Conitian Beaux-Arts) and only spread during the 1900's. Much more divergent styles introduced much later, such as Modernism (including its derivatives) were relatively accepted (and quite popular) within the urbanities, especially ecologically-informed critical regionalism. Such designs were seen as contrary to Min identity by the country's more conservative voices is still contestedly debated in various circles, and was deeply debated between various circles including the government. Prevalence of modern architecture were only possible after the Min-Xiaodongese War, which became a defining feature in urban redevelopment. Despite such developments, modernist buildings are only more prevalent in coastal and more developed urban areas, save for more recently-built government buildings in the interior.

Music

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Sapun is one of the leading artists in Min's electronic scene.

Min has a rich and diverse musical tradition that encompasses multiple ethnic groups and various foreign influences. The most basic quality of Min music is its rich utilization of percussion-driven rhythm (unusual for its Borean neighbors) and melodic arpeggios. Among the most notable Min instruments include the dundong, dambang, dabakan, kucapi, kalaleng, makappi (related to the Turkic dombra) and the palangun. Later developments, such as the usage of gongs and more pronounced wind instruments (most specifically the Pa'aw) would later become the basis for music in the classical era.

Traditional Min music has always been one of ritual quality. Majority of songs written during the Classical period (Min) are mostly religious in nature, usually in the form of devotionals or chants usually serving as accompaniments to ceremonies and worship. Some of these songs have a call and response structure, In the peak of the Classical period, there developed an intricate court ensemble music called Kajarang (କଚରଞ୍), which makes heavy use of percussion idiophones such as Kuruntang and Cawili. It is sometimes with strings such as the Falayan.

Modern Music in Min is dominated by the Electronica, New Jazz and Soul and Hip-hop genres, the latter two brought by immigrants from [some advanced country in afronautasia idk] in the early 70's. Western musical styles such as Jazz and Swing proliferated in the postwar era thanks to open trade policies in the 1950s-60s. The majority of modern music in Min today is commonly instrumental and experimental, earlier genres such as pop slowly fell out of style in the late 1990's with the rise of nightclub and lounge culture in cities such as Kahavan and Icyang. With the entrance of the internet, local musicians gained widespread appeal, making the country a premier spot of the wider independent music scene. Post rock, math rock and Kepiran amassed a following during the onset of the 2010's. Artists such as Sapun, Ephemere, Tung.Ieng and Si Puraon are considered defining characters of the scene. Particular independent scenes in the hypnagogy and chillwave genres have smaller but very active followings.

Literature and Theater

A traditional library of old Min texts in Kebabatian.

Academics have pointed out that due to both proximity and history, Min shares a common literary heritage with either its Monic neighbors or Narmadic tradition, fueled by the Cakrist religion. Nevertheless, the Min has accumulated about 3,000 years worth of literary work. Min literature has had a major influence within its region, played an important part in the cultural development of the Boreolahudic peoples, beginning with the oral tradition. This, in turn would influence Classical Min literature, having been noted for its creating great narratives done through poetic verse and its heavy usage of allegory (taking from the tradition's religious roots) and folklore. This form seeps into areas that normally would've been considered part of prose, such as treatises and ancient accounts of history. Major examples include as Samantura's Account of the Cosmos, the Khaturvic epic Journey Beyond the Veil and the renowned Apinuti, the country's national epic.

Prose-like style and more abstract forms of poetry came in the post-unification period through heightened Monic trade. Most of such works were originally considered a vernacular form, reserving the more traditional styles towards the nobility and the monarchy. Thus, a majority of these works tend to come from Monicized scholars that worked within the country. Si Tama Hayu's Blessing of Paradise, a collection of religiously-inspired romantic poetry and the novel Tale of the Wounded Tiger by Kacayu Bayu. Works such as these employ themes and concepts from the cultures they adapted from, such as Tuthinan philosophy and Narmadi esotericism. Later developments such as more realist depictions of people and society point to the growth of social commentary as a prominent element in later works. Today, more abstract and modern forms of literature have become widespread, such as free verse poetry. Postmodern and meta-cosmic themes have also been delved in by modern Min writers, such as Kisu Anxu (The Unending Ninefold Path and Man from the Furthest West) and Kaasin Icyang (the Black Vase series). Comics as an artform in the country were introduced from Tuthina during the early 1990's, and usually covers more mature and nuanced themes and topics. This gave rise to the Manku (ମନ୍କୂ), a genre that employs more simplified, realist aesthetics. Manku since the onset of 2010's has experienced a resurgence among younger readers thanks to the introduction of the webcomic medium. Manku tend to fall within the fantasy or meta-cosmic genre, with titles such as Bawu Habi's Khakhara and Ama Praha's Murder the Gods and Topple Their Thrones attaining international attention for their idiosyncratic style.

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A scene from the play Kisarang, 2006. Min theater has gained widespread recognition due to its unique style.

Theater in Min is awarded a pedestal in Min society due to its long history and the dedication towards refinement by its creators and participants. Older, more traditional plays (named ଅଦମ, adanas) tend to be written in verse and adapted from classical literature. More vernacular forms would either take from local folklore. These plays derive from religious and historical concepts, ancient writers deeming theater as a form of "introducing the people towards the spirit's freedom" (moksa). In extension, atanas also derives from religious ritual, employing graceful, choreographed movements inspired by devotional dance along with a particular microtonal singing style that derives from devotional music. More martial forms of atanas delve more towards esoteric experiences, employing fire dancing, chants and acrobatics. A more simplified version of the Kajarang ensemble is usually employed as its music. The northern Kisarang (କିସରଞ୍) and the southern Mahapalara'ung (ମହପଲରଉଂ) are great examples of this style. A more comical derivative of the atanas, called Paishun (ପାିଶୁନ୍) which is based upon basic plots, improvised storytelling and is mostly carried by its slapstick humor. Paishuns are usually satirical in nature, mocking local notables and various social issues of the day. However, despite the supposed vulgar expression of the tradition, Paishun players require themselves great skill within their improvised dialogues in order to maintain coherence and heighten the comedy.

See Also