Belmonte: Difference between revisions

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  |footer=Clockwise from left to right: {{wp|Baroque architecture|baroque}} buildings in [[São Caetano]], [[Anchieta]]; the {{wp|Eclecticism|eclectic}} Amindas Residence in [[Sabugosa]]; the {{wp|''Art Noveau''}} Carvalho Building in [[Riachuelo]] and the {{wp|Modernism|modernist}} [[Aranha Building]] in central [[Castelonovo]].
  |footer=Clockwise from left to right: {{wp|Baroque architecture|baroque}} buildings in [[São Caetano]], [[Anchieta]]; the {{wp|Eclecticism|eclectic}} Amindas Residence in [[Sabugosa]]; the {{wp|''Art Noveau''}} Carvalho Building in [[Riachuelo]] and the {{wp|Modernism|modernist}} [[Aranha Building]] in central [[Castelonovo]].
}}
}}
[[Belmontese architecture]] was largely inspired by [[Euclea|Euclean trends]] during its history, only starting to develop its own variations after the [[Great War (Kylaris)|Great War]]. During [[History of Belmonte|colonial times]], Belmontese buildings were based on the {{wp|Baroque architecture|baroque}} and {{wp|rococo}} architectures through the concept of few external designs and heavily decorated interiors. Both forms were mainly used by the {{wp|Catholic Church|Church}} and {{wp|Jesuit missions}} located there, becoming widely used by the civilian population at the time soon after.
[[Belmontese architecture]] was largely inspired by [[Euclea|Euclean trends]] throughout its history, only starting to develop its own variations after the [[Great War (Kylaris)|Great War]]. During [[Colonial Belmonte|colonial times]], Belmontese buildings were based on the {{wp|Baroque architecture|baroque}} and {{wp|rococo}} architectures and the concept of few external designs and heavily decorated interiors. Both forms were mainly used by the Church and Jesuit missions located there, becoming widely used by the civilian population at the time soon after.


The two genres remained popular until the second half of the 19th century, when it started to be replaced by {{wp|Neoclassicism|neoclassicist}} and {{wp|Eclecticism|eclectic}} styles. During the late 1910s and early 1920s, eclecticism started to be slowly replaced by the [[Gaullica|Gaullican]] ''{{wp|Art Noveau}}'' and ''{{wp|Art Decó}}'', but they were never truly accepted as mainstream due to the outbreak of the Great War and Belmonte's [[Operation Palmier|invasion]] by the [[Entente powers|Entente]].
The two genres remained popular until the second half of the 19th century, when it started to be replaced by {{wp|Neoclassical architecture|neoclassicist}} and {{wp|Eclecticism in architecture|eclectic}} styles. During the late 1910s and early 1920s, eclecticism started to be slowly replaced by the [[Gaullica|Gaullican]] ''{{wp|Art Noveau}}'' and ''{{wp|Art Decó}}'', but they were never truly accepted as mainstream due to the outbreak of the Great War.


After the war, many artists came back to Belmonte, starting the {{wp|Modernism|modernist movement}} in the country. Modernist architects such as [[Cláudio Bachlechner]], [[Luís-Eustáquio Diniz]] and [[Margarete Saval]] became the most known architects of the time, being responsible for projecting numerous works between the late-1930s until the early-1970s. The [[National Republican Union (Belmonte)|URN government]], although {{wp|Conservatism|conservative}}, funded {{wp|Modern art|modernist art}} to present Belmonte as a contemporary country, causing a total rejection and prejudice of previous trends during this period.
After the war, many artists came back to Belmonte, starting the [[Belmontese Modernism|modernist movement]] of the country. {{wp|Modern architecture|Modernist}} architects such as [[Cláudio Bachlechner]], [[Luís-Eustáquio Diniz]] and [[Margarete Saval]] became the most known architects of the time, being responsible for projecting numerous works during the reconstruction era between the late-1930s until the early-1970s. The [[National Republican Union (Belmonte)|URN-dominated]] government, although conservative, funded modernist art to present Belmonte as a contemporary country, causing a total rejection of previous architectonic styles during this period.


Modernist architecture remained the Belmontese mainstream until the late-1990s when it started to be replaced by {{wp|Postmodernism|post-modernist}} and {{wp|international style}} trends. Due to its presence in the majority of the late-20th century, the style remains extremely influential, leaving a huge mark that defined most of the {{wp|National identity|national cultural identity}}.
By the 1990s, {{wp|Postmodern architecture|postmodern}} trends started to achieve more predominancy, however, modernism still remains extremely influential, leaving a huge mark that defined a large fraction of the national cultural identity.
<gallery>
<gallery>
File:Sfc-paraiba.jpg|Saint Francis' Monastery
File:Sfc-paraiba.jpg|[[Saint Francis' Monastery]]
File:Museudainconfidencia2006.jpg|Paquetá Palace
File:Museudainconfidencia2006.jpg|[[Paquetá Palace]]
File:Belmonte parliament.png|Paranhos Palace
File:Belmonte parliament.png|[[Paranhos Palace]]
File:Palácio_do_Catete_-_Museu_da_República.jpg|Bensafrim House
File:Palácio_do_Catete_-_Museu_da_República.jpg|[[Bensafrim House]]
File:Museu_de_Arte_de_São_Paulo_Assis_Chateaubriand_-_MASP.jpg|Museum of Art of Castelonovo
File:Museu_de_Arte_de_São_Paulo_Assis_Chateaubriand_-_MASP.jpg|[[Castelonovo Art Museum]]
File:Gustavo_Capanema_Palace,_Rio_de_Janeiro,_Brazil_(main_entrance,_2004).jpg|Moema Building
File:Gustavo_Capanema_Palace,_Rio_de_Janeiro,_Brazil_(main_entrance,_2004).jpg|[[Moema Building]]
File:Inside_MAC.jpg|Museum of Art of Ípsia
File:Inside_MAC.jpg|[[Ípsia Art Museum]]
</gallery>
</gallery>
===Music===
===Music===
{{main|Belmontese music}}
{{main|Belmontese music}}
[[File:Tom_Jobim,_1972.tif|thumb|left|200px|[[Ricardo Alvim]], one of the most famous {{wp|bossa nova}} singers]]
[[File:Carlos_Gomes_(fototipia).jpg|thumb|left|150px|[[Maurício Sobral]]]]
[[File:Ricardo alba.jpg|thumb|right|190px|[[Roberto Alba]], lead singer of [[Saturno]] and one of the biggest {{wp|rock}} artists of Belmonte]]
{{multiple image |perrow=2 |total_width=200
[[Belmontese music]] is known for its diverse origin and influences that came from several parts of the globe. {{wp|Classical music}} was brought by the [[Luzela|Luzelese nobility]] and {{wp|Jesuits: The Society of Jesus|Jesuits}}, being initially from {{wp|Baroque music|baroque}} and {{wp|Religious music|sacred origin}}. After the [[Federalist Revolt]], new orchestras and conservatories were established, with many composers transitioning to {{wp|Romanticism}} by the 1850s and 1860s. Romanticism started to be slowly replaced by more {{wp|Musical nationalism|nationalist}} trends over the turn of the century, with the era being marked by the works of [[Maurício Sobral]] and [[Lauro Cruz]]. After the [[Great War]], classical music started to be influenced by more {{wp|Contemporary classical music|contemporary trends}}.
|image1=Tom Jobim, 1965.tif |width1=150
 
|image2=Chico_Buarque_de_Holanda_1_(1970).tif |width2=150
The first Belmonte {{wp|Popular music|popular manifestations}} were the {{wp|modinhas}} and {{wp|Lundu (dance)|lundus}}. Over the time, both genres evolved into serestas and, when the country started to industrialize at the beginning of the 1850s, foreign Euclean music and dance such as {{wp|waltz}}, {{wp|polka}}, {{wp|xote}} and {{wp|tango}} became widespread, with the junction of them originating the {{wp|choro}} in the late 1880s and early 1890s.
|image3=Os_Mutantes.tif |width3=150
|footer=Clockwise from left to right: [[Ricardo Alvim]], {{wp|Bossa nova|bossa nova's}} most known artist; [[Maurício Buarque]], one of the leading singers of the [[tropinova]] in the late-60s; [[Guaxinim]] during a live concert.
}}
[[Belmontese music]] is known for its diverse origin and influences that came from several parts of the globe. {{wp|Classical music}} was brought by the Luzelese nobility and Jesuits, being initially of {{wp|Baroque music|baroque}} and {{wp|Religious music|sacred}} origin. It was only after the [[Federalist Revolt]] that new orchestras and conservatories were established, with many composers transitioning to {{wp|Romantic music|romanticism}} by the 1850s and 1860s. Romanticism started to be slowly replaced by more {{wp|Progressivism|progressive}} and {{wp|Nationalism|nationalist}} trends over the turn of the century, with this era being marked by the works of [[Maurício Sobral]] and [[Lauro Sotiras]]. After the Great War, classical music started to be influenced by more contemporary trends.


By the turn of the 20th century, {{wp|samba}} was created, becoming famous among {{wp|Black people|black communities}} in [[Ípsia]]. Despite being relatively popular in the 20s, the genre found its height in popularity during the 30s and 40s. As the 50s progressed, a new subgenre of samba was created by [[Gilberto Lins]] - the {{wp|bossa nova}} - which sought to add {{wp|jazz}} elements to the music, creating a more urban sound. The genre found itself under international recognition in the 60s under the voice of [[Ricardo Alvim]] and his song {{wp|The Girl from Ipanema|The Girl from Atalaia}}. Together with other artists such as [[Lira Duarte]] and [[Olavo Farias]], the rhythm reached worldwide popularity. In the 70s, the {{wp|Música popular brasileira|tropinova movement}} was created, having as its most famous singers [[Maurício Buarque]], [[Jorge Mourinho]], [[Eleonor Cruz]] and [[Gil Nkosi]].
The first Belmonte popular manifestations were the Euclean-based {{wp|Modinha|modinhas}} and the Bahian-inspired {{wp|Lundu (dance)|lundus}}. Over time, both genres evolved into {{wp|Serenade|serestas}} and, when the country started to industrialize and [[Immigration to Belmonte|receive immigrants]] at the beginning of the 1850s, foreign Euclean music and dance such as {{wp|waltz}}, {{wp|polka}}, {{wp|xote}} and {{wp|tango}} became widespread, with the junction of them originating the {{wp|choro}} in the late 1880s and early 1890s.


The late 70s and early 80s saw the popularization of {{wp|rock music}} under {{wp|post-punk}} and {{wp|new wave}} influences, with bands such as [[Saturno]], [[Excelsior]], [[Longe das Capitais]], [[Enfant]], [[Arquitetos de Imágua]] and [[L'eau]] becoming widely popular. By the turn of the century up to present times, the Belmontese musical scene remains extremely diverse, with the 2010s seeing a surge of {{wp|indie rock}}, {{wp|electronic music}} and {{wp|pop}}.
From choro, {{wp|samba}} was created at the beginning of the 20th century, becoming centred among black communities in [[Ípsia]], with the genre founding its height in popularity during the 30s and 40s. As the 50s progressed, a new genre evolved out of samba - the {{wp|bossa nova}} - which sought to add {{wp|jazz}} elements to the music, creating a more urban sound. The genre found itself in the middle of international recognition in the 60s under the voice of [[Ricardo Alvim]] and his song {{wp|The Girl from Ipanema|The Girl from Atalaia}}. Together with other artists such as [[Lira Duarte]] and [[Olavo Farias]], the rhythm reached worldwide popularity.
[[File:Virada.jpg|thumb|center|1115px|The annual [[Castelonovo Music Festival]], one of the largest music concerts of the country known for its eclectic attractions.]]


Inspired by the [[1969 protests in Belmonte|protests and revolutionary fervour]] of the late-60s, the [[Tropinova movement|tropinova movement]] and its [[Tropinova|subsequent genre]] were born, mixing {{wp|folk}}, bossa nova and samba with a more {{wp|Psychedelic rock|psychedelic}} and {{wp|Tropicália|tropical sound}}, having as its most famous singers [[Maurício Buarque]], [[Jorge Mourinho]], [[Eleonor Cruz]] and [[Gil Nkosi]], while [[Guaxinim]] introduced {{wp|Rock music|rock n' roll}} to broad Belmontese audiences for the first time. The late 70s and early 80s saw the continuation of the popularization of rock music under {{wp|post-punk}} and {{wp|new wave}} influences, with bands such as [[Saturno]], [[Excelsior]], [[Longe das Capitais]], [[Enfant]], [[Arquitetos de Imágua]] and [[L'eau]] becoming widely popular. By the turn of the century up to present times, the Belmontese musical scene diversified, with the 2010s seeing a surge of {{wp|indie rock}}, {{wp|Electronic music|electronic}}, {{wp|rap}}, {{wp|trap}} and {{wp|Pop music|pop}} music.
[[File:Virada.jpg|thumb|center|1115px|The annual [[Castelonovo Music Festival]], one of Belmonte's largest music festivals]]
===Literature===
===Literature===
{{main|Belmontese literature}}
{{Main|Belmontese literature}}
{{multiple image
{{multiple image
| align = right
| align = right
| image1 = Clarice_Lispector_(cropped).jpg
| image1 = Jose de Alencar.png
| width1 = 137
| width1 = 137
| alt1 = Cecília Wiśniewski
| alt1 = Aldo Paes
| image2 = Machado de Assis aos 57 anos.jpg
| image2 = Machado de Assis aos 57 anos.jpg
| width2 = 132
| width2 = 127
| alt2 = Gregório Assis
| alt2 = Gregório Assis
| footer = [[Cecília Wiśniewski]] (left) and [[Gregório Assis]] (right)
| footer = [[Aldo Paes]] (left) and [[Gregório Assis]] (right)
}}
}}
[[Belmontese literature]] started with the consolidation of {{wp|Jesuit missions}} in the [[History of Belmonte|colony]], with the {{wp|Literature|local literature}}, at the time influenced by {{wp|Dogma|religious dogmas}}, started to shift into more {{wp|baroque}} trends. However, it was only after the establishment of the [[First Belmontese Republic|First Republic]] that new schools of thought and artists appeared into the national scene. Baroque started to be replaced by {{wp|romanticism}} by the 19th century, and, over time, {{wp|Indianism (arts)|indianism}} was created, having a strong {{wp|Progressivism|progressive}} tone that promoted {{wp|Indigenous peoples|indigenous values}} and {{wp|Indigenous peoples|culture}}, having [[Aldo Paes]]'s romances [[Tupi]] and [[Iandara]] as the subgenre's biggest works.
[[Belmontese literature]] started with the consolidation of Jesuit missions in the colony, with the local literature, at the time influenced by {{wp|Religious text|religious dogmas}}, starting to shift into more {{wp|baroque}} trends, however, it was only after the establishment of the [[First Belmontese Republic|First Republic]] that new schools of thought and artists appeared on the national scene. Baroque started to be replaced by {{wp|romanticism}} in the 19th century and, over time, {{wp|Indianism (arts)|indianism}} was created, having a strong {{wp|Progressivism|progressive}} and {{wp|Nationalism|nationalist}} tone that promoted indigenous values and culture, having [[Aldo Paes|Aldo Paes's]] romances [[Tupi]] and [[Iandara]] as the subgenre's biggest works.
 
By the late-1870s and early-1880s, romanticism started to be substituted by {{wp|realism}}, with the genre itself becoming widely known thanks to [[Gregório Assis]] and his books [[Obituary]] and [[Bento]], leading him into universal acclaim as Belmonte's greatest writer. Realism continued to be the main Belmontese literary doctrine up to the 1930s with the beginning of the {{wp|Modernism|modernist movement}} in the country. By the 70s, the modernist school would be replaced by {{wp|Postmodern literature|post-contemporary}} and {{wp|Postmodern literature|regionalist}} trends thanks to the works of [[Cecília Wiśniewski]].


By the late-1870s and early-1880s, romanticism started to be substituted by {{wp|Literaly realism|realism}}, with the genre itself becoming widely known thanks to [[Gregório Assis]] and his books [[Bento]] and [[Obituary]], leading him into universal acclaim as Belmonte's greatest writer. Realism continued to be the main Belmontese literary doctrine up to the 1930s with the proliferation of {{wp|Literary modernism|modernist}} and {{wp|avant-garde}} movements in the country. By the 80s, the modernist school would start to be replaced by {{wp|Postmodern literature|postmodern}} trends.
===Cuisine===
===Cuisine===
{{main|Belmontese cuisine}}
[[File:Pao_de_queijo_com_cafe.jpg|thumb|left|200px|Traditional Belmontese cuisine.]]
[[Belmontese cuisine]] is influenced by the [[Euclea|Euclean]], [[Bahia|Bahian]] and {{wp|Indigenous peoples|indigenous}} {{wp|Cooking|cookery}}, being the result of the contact between these peoples. Before the beginning of [[History of Belmonte|colonization]], the native population used the [[Geography of Belmonte|local fauna and flora]] as the base of their cuisine, largely consuming {{wp|cassava}}, {{wp|guarana}} and {{wp|Açai palm|açai}}. With the arrival of [[Luzela|Luzelese colonizers]] in the 16th century, {{wp|European cuisine|Euclean foods}} were added into the Belmontese cuisine, being adapted to the local climate. The introduction of {{wp|slavery}} at the same time also led to {{wp|Black people|Bahian peoples}} bring their {{wp|African cuisine|food}} to the forming Belmontese culinary at the time, which evolved as more peoples from different cultures [[Immigration to Belmonte|went to live there]].
As the result, Belmontese cuisine is extremely diverse. {{wp|Fish}} is the most eaten meat in the country, being present in {{wp|Moqueca|moquecas}} and {{wp|Vatapá|vatapás}}. Other consumed Belmontese foods are {{wp|pão de queijo}}, {{wp|mbeju}}, {{wp|akara}} and {{wp|beans}} - being consumed either as {{wp|Beans|tropeiro beans}}, {{wp|Beans|brown beans}} or {{wp|feijoada}}. Belmonte also has a variety of sweets, with the most popular ones being the {{wp|Brigadeiro|escurinho}} and {{wp|bolo de rolo}}. The country's national drink is {{wp|coffee}} whilst its {{wp|Liquor|national liquor}} is the {{wp|cachaça}}, although {{wp|wine}} is more consumed.
===Cinema and theatre===
===Cinema and theatre===
{{main|Belmontese cinema|Belmontese theatre}}
===Visual arts===
{{multiple image
|align    = right
|direction = vertical
|width    = 175
|image1    = SPIFFScreening.jpg
|caption1  = A public screening during the [[Castelonovo Film Festival]].
|image2    = Globosat headquarters.jpg
|caption2  = [[Studio Atlas]], the biggest film production company of Belmonte.
}}
[[File:Tina bianchi.png|thumb|left|200px|[[Tina Bianchi]]]]
[[Belmontese theatre]] had its origins in the [[History of Belmonte|colonial era]], being brought from [[Euclea|Euclean churches and monasteries]] by {{wp|Jesuits: The Society of Jesus|Jesuit priests}} to the newly-established colony. First confined within the {{wp|Catholic Church|Church}}, the first productions were influenced by {{wp|Religious art|religious}} and {{wp|Medieval art|medieval}} traditions, with many of them being used as a form of {{wp|Religious conversion|conversion}} towards {{wp|Indigenous peoples|indigenous peoples}}. Catholic influence on theatre remained widespread until the 20th century, when many {{wp|Drama school|theatrical schools}} started to being funded by the state. Today, the scenario {{wp|Cultural subsidy|largely relies on the government to maintain itself}}, but is extremely diverse and well-acclaimed by critics from all kinds.
 
The beginning of [[Belmontese cinema]] started in 1899, when the first projectors came from [[Gaullica]], with the first cinema room being inaugurated in [[Castelonovo]] in the same year. The country's first movie, ''"Panorama of Ípsia from the Lausanne"'', was only released a year later, being 3 minutes long. Although its introduction was greatly covered by the excited press at the time, its development was extremely slow, being only accessible to the urban elite due to its highly expensive tickets and difficulty of maintaining cinema rooms throughout the country.
 
However, this was promptly changed after the [[National Renovation Coup]] and [[João Berquó|Berquó's ascession to power]]. The [[Berquó Era|dictatorship]], suffering massive opposition, attempted to increase its popularity by controlling and funding the {{wp|Communication|means of communication}}, including cinema, leading to the production of several {{wp|Propaganda film|propaganda films}} known for their {{wp|Nationalism|nationalistic}} and {{wp|Patriotism|overly patriotic}} nature.
 
The establishment of the [[New Republic (Belmonte)|New Republic]] in 1935 led to a {{wp|golden era}} of cinema as the country produced highly popular movies. It was during this time that actors such as [[Tina Bianchi]], [[Arlete Sampaio]] and [[Lauro Lima]] reached their height in fame, being present on several movies of the time. During the 70s and 80s, Belmontese cinema started to transition into a more {{wp|Underground film|underground period}}, being marked by the {{wp|pornochanchada}} genre, meanwhile, the 90s were known by its {{wp|Cult film|cult-esteemed films}}. By this day, Belmonte is one of the biggest movie producers of [[Asteria Inferior]], leaving a large cultural footprint on the continent.
 
===Media===
{{main|Media of Belmonte}}
{{see also|EPC}}
[[File:Webysther 20151209180300 - Sede Grupo Folha.jpg|thumb|left|200px|Headquarters of ''[[Diário]]'', the {{wp|newspaper of record}} with biggest circulation in Belmonte.]]
{{wp|Press|Written press}} was introduced to Belmonte in 1764 with the foundation of the ''[[Gazeta de Castelonovo]]'', which served as the country's {{wp|government gazette}}. After the [[Federalist Revolt]], Belmontese press became freer, with several liberal-minded newspapers being created at the time. Although this was temporarily halted during the [[Durão Era]], the proliferation of newspapers and magazines continued during the remaining of the 19th century up until the [[National Renovation Coup]] in 1913. Despite the [[Constitution of Belmonte|1935 Constitution]] declared {{wp|freedom of speech}} a {{wp|Fundamental rights|fundamental right}}, it remained tightly controlled by the consecutive [[National Republican Union (Belmonte)|URN governments]] of the time up until the 70s, when {{wp|censorship}} was officially abolished.
 
Currently, the highest-circulating Belmontese newspapers are the {{wp|Centre-right politics|centre-right}} ''[[Diário]]'' (also considered to be the national {{wp|newspaper of record}}), the {{wp|Centre-left politics|centre-left}} ''[[Republicano]]'' and the {{wp|Right-wing politics|right-wing}} ''[[A Nação]]''. Ever since the turn of the century, newspaper sales have decreased considerably, with many switching their focus to the rising digital scene in recent years.
 
{{wp|Radio|Radio broadcast}} started in Belmonte in 1921. In 1922, the {{wp|State-owned enterprise|state-owned}} [[Agency Belmonte]] was created, being the only allowed broadcasting company at the time. In 1949, [[Premier of Belmonte|premier]] [[Cédrico Alvim|Alvim]] expanded and reformed the agency into the [[EPC|Public Broadcasting Company]] (''EPC''), also being the first Belmontese {{wp|Television broadcasting|television network}} with the introduction of {{wp|television}} in the following year. Today, the EPC remains as the biggest and most viewed broadcasting company of Belmonte, being followed by the [[Excelsior Network]] and [[Tupi Television]], both of them from {{wp|Private company|private origin}}.
 
===Art===
{{main|Belmontese art}}
[[File:Americo-noite.jpg|thumb|left|200px|''A noite'' by [[Ulisses Braga]]]]
[[File:Discovery_of_the_Land1.jpg|thumb|right|200px|''Discovery'' by [[Irineu Ricci]]]]
[[Belmontese art]] emerged in the 16th century, when the country still was a [[History of Belmonte|colony]], being entirely influenced by the {{wp|Baroque painting|baroque}} and {{wp|rococo}} religious themes of the time. At the beginning of the 19th century, both genres started to be replaced by the more {{wp|Humanism|humanist}} and {{wp|Nationalism|nationalistic}} tones of {{wp|neoclassicism}} and {{wp|romanticism}}, having as its most famous painters [[Ulisses Braga]] and [[Henrique Bercout]]. Initially largely inspired by {{wp|Art of Europe|Euclean schools}} and {{wp|Art of Europe|doctrines}}, both genres started to develop regional characteristics thus leading to {{wp|Indianism (arts)|indianism}}, which was known for its {{wp|Progressivism|progressive}} rhetoric that exalted not only indigenous peoples but also the [[Geography of Belmonte|Belmontese fauna and flora]].
 
With the formation of a single Belmontese {{wp|cultural identity}} by the 1860s and 70s, the majority of artists of time founded the [[National Academy of Arts of Belmonte]] in 1878, being the only artistic entity in the country at the time. During the 1890s, both previous genres became substituted by {{wp|realism}} and {{wp|impressionism}}, which quickly found itself promoted within the academy under the paintings of [[Enzo Cinetti]] and [[Elisa Sampaio]], becoming part of the artistic mainstream of the time.
 
As the country's {{wp|Industrialization|industrialization}} progressed by the beginning of the 20th century, the first {{wp|Modernism|modernist trends}} started to be introduced in Belmonte. First rejected by the academy, {{wp|expressionism}}, {{wp|fauvism}}, {{wp|cubism}} and {{wp|futurism}} quickly became extremely popular among the Belmontese urban class but it was rejected and persecuted by the [[Berquó Era|Berquó regime]] which sought for more nationalist and traditionalist themes.
 
After the creation of the [[New Republic (Belmonte)|New Republic]], many modernist artists who went into {{wp|Exile|self-imposed exile}} returned to Belmonte, with painters [[Teresa Behamonte]], [[Irineu Ricci]] and [[Rita Cavalcante]] organizing the [[Castelonovo Modern Art Week]] of 1937 thus founding the {{wp|Modernism|modernist movement}} in the country. Unlike its predecessor, the [[National Republican Union (Belmonte)|URN government]] not only allowed but promoted {{wp|modern art}}, which reached its height in the 50s and 60s. By the 80s, modernism started to be slowly replaced by {{wp|Postmodernism|postmodern}} and {{wp|Regionalism (art)|regional trends}}, but still remains an influential part of [[History of Belmonte|Belmontese history]] and [[Culture of Belmonte|culture]].
 
===Sports===
===Sports===
{{main|Sport in Belmonte}}
{{multiple image
|align= left
|image1= Copa_Libertadores_de_America_2011_Santos_-_Peñarol.jpg
|width1= 230
|caption1= {{wp|Football}} is Belmonte's most popular and practiced sport
|width2= 207
|caption2= {{wp|Sailing (sport)|Sailing}} is one of the most famous water sports of Belmonte
|image2= Laser standard 176548.jpg
}}
{{wp|Football}} is the most famous and practised sport in Belmonte, being an integral part of the country's [[Culture of Belmonte|culture]]. The [[Belmonte Cup]] and ''[[Primeira Divisão (Belmonte)|Primeira Divisão]]'' are the major {{wp|Football|national football leagues}} in the country, both of them organized by the [[Belmontese Football Confederation]] (CBF), with the ''Primeira Divisão'' being the primary and most competitive competition whilst the Belmonte Cup is its domestic counterpart. Followed by football, {{wp|volleyball}} and {{wp|basketball}} also are very popular, having its competitive professional leagues and a large amount of media coverage and practitioners.
Water sports also have a large presence in Belmonte, especially {{wp|Swimming (sport)|swimming}} and {{wp|Sailing (sport)|sailing}}. Furthermore, the country has as its national sports {{wp|footvolley}} (the combination of football and volleyball), {{wp|futsal}} (indoor football) and {{wp|beach football}}. Besides, {{wp|auto racing}}, {{wp|athletism}}, {{wp|tennis}}, {{wp|boxing}}, {{wp|handball}}, {{wp|rugby}} and {{wp|hockey}} are also very practised.
[[File:Cicero_pompeu_de_toledo_banner.jpg|thumb|center|1115px|The [[Ibiraí Stadium|Adrísio Vieira Stadium]], more known as [[Ibiraí Stadium]], is the seat of the [[Regina F.C]], one of the biggest football clubs of Belmonte.]]
===National holidays===
{| class="wikitable" style="width:100%;"
|-
! Date !! Local name !! Name !! Observation
|-
| 1 January || Confraternização Universal || {{wp|New Year's Day}} || Beginning of the year
|-
| 17 February || Dia da Liberação || {{wp|Liberation Day}} || Liberation of Belmonte from [[Entente|Entente powers]]
|-
| 1 May || Dia do Trabalhador || {{wp|May Day|Labour Day}} || Tribute to workers
|-
| 18 April || Proclamação da República || {{wp|Republic|Proclamation of the Republic}} || Proclamation of the [[First Belmontese Republic]]
|-
| 13 June || Santa Catarina || [[Saint Catherine]] || Belmonte's patroness day
|-
| 7 August || Independência || {{wp|Independence|Independence Day}} || Independence against [[Gaullica]]
|-
| 2 November || Finados || {{wp|All Souls's Day}} || Day of remembrance of the dead
|-
| 25 December || Natal || {{wp|Christmas Day|Nativity}} || Major {{wp|Christianity|Sotirian}} celebration
|-
|}


==See also==
==See also==

Revision as of 03:06, 7 May 2022

Template:Region icon Kylaris

United Republic of Belmonte
República Unida de Belmonte (Luzelese)
Belmonte flag.png
Flag
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Coat of arms
Motto: Non ducor, duco (Solarian)
"I am not led, I lead"
Anthem: Hino Nacional Belmontês
"Belmontese National Anthem"
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Belmonte (green) in Asteria (grey)
Belmonte map.png
Political map of Belmonte
Capital
and largest city
 Castelonovo
Ethnic groups
(2020)
41.3% White
40.2% Mixed
14.6% Black
2.6% Coian
1.3% Asteridian
Religion
(2020)
86.9% Sotirianity
-67.4% Solarian Catholicism
-19.5% Amendism
11.8% Irreligious
1.3% other
Demonym(s)Belmontese
GovernmentFederal parliamentary republic
• President
Caetano Villa-Lobos
• Premier
Rita Maurino
LegislatureNational Congress
• Upper house
Senate
• Lower house
Chamber of Deputies
Independence from  Gaullica
• Declared
07 August 1764
21 November 1771
15 August 1764
• Republic
18 April 1792
06 July 1935
Area
• Total
1,003,144 km2 (387,316 sq mi)
• Water (%)
0.5
Population
• 2020 census
36,334,190
• Density
36.2/km2 (93.8/sq mi)
GDP (PPP)2020 estimate
• Total
Increase $865.9 billion
• Per capita
Increase $23,832
GDP (nominal)2020 estimate
• Total
Increase $577.2 billion
• Per capita
Increase $15,888
Gini (2020)Positive decrease 36.9
medium
HDI (2020)Increase 0.784
high
CurrencyCruzado (BEC, ₡)
Time zoneUTC+13 (Belmontese Central Time)
Calling code+57
Internet TLD.be

Belmonte (/ˈbɪlˈmærˈtɪ/; Luzelese pronunciation: [bewmɔnte]), officially the United Republic of Belmonte (Luzelese: República Unida de Belmonte), is a country located on the continent of Asteria Inferior, sharing borders with Nuvania to the west, Aucuria to the northwest and Satucin to the northeast.

The current Belmontese territory was inhabitated by several indigenous peoples since 10,000 BCE, being discovered by Luzela after an expedition led by explorer Duarte Bórgia in 1503, with colonization beginning years later with the establishment of the first captaincies. In 1683, Belmonte was given to Poveglia on the aftermath of the Luzelese-Poveglian War and would be transferred again after the Congress of Cislania to the Gaullican Empire, whose harsh oppression towards the population led to the declaration of independence and a large-scale uprising in 1764 during the Asterian War of Secession. Independence was recognized years later through the Treaty of Vicalvi in 1771, and an oligarchic confederation was established. As republican and illuminist ideas arose, the confederation would be replaced by a presidential republic in 1792 after a civil war.

Although free at first, the republic would evolve into a one-party radical state, causing dissatisfaction among conservative groups who launched a successful military coup in 1828, putting a conservative authoritarian dictatorship in power. However, this dictatorship would be overthrown by the Armed Forces in 1836 followed by the creation of a oligarchic parliamentary republic, with an agreement between conservatives and liberals leading to long-term stability. This agreement would be broken later, causing a political crisis which led to another military coup and the establishment of a provisional military junta. This junta would, after rigged elections, give power to politician João Berquó, who ruled as a dictator for almost 20 years. Belmonte was invaded and occupied during the Great War through Operation Palmier, with a large-scale offensive liberating the country in 1934. The war made the democratic opposition gain support from the military, which ousted Berquó and allowed the creation of the current democratic regime.

Today, Belmonte is a federal parliamentary republic, with the president acting as head of state whilst the premier acts as the head of government. The legislature is the bicameral National Congress, which is composed by the Chamber of Deputies and the Senate. Its capital and primate city is Castelonovo. Belmonte is a developing country with an emergent economy, having a high Human Development Index of 0.784. Currently, Belmonte is a member-state of the Community of Nations, the Asteria Inferior Common Market, the International Council for Democracy, the International Trade Organization and the Global Institute for Fiscal Affairs.

Etymology

Before the arrival of Euclean peoples in Asteria Inferior, there were several indigenous peoples present in Belmonte's modern territory, the majority of them from Tupi origin, who named the area as Apiraby - pointy land, likely referring to the region which is today the provinces of Favônia and Laranjeiras. Further inland, the region was named Araxaiby - high land.

The word Belmonte is from both Luzelese and Vespasian origin and means "beautiful mountain." The most likely theory is that the name was first used to designate St Paul's Mount, which was the first piece of land seen by Duarte Bórgia's 1503 expedition that discovered the country, being officially adopted as colonization began years later.

During the Gaullican period of rule in the region, its name was Gallicized to Beaumont, however, it saw few use by the majoritarian Luzelese population, changing back to Belmonte once independence was achieved in 1764.

History

Main article: History of Belmonte

Pre-Ashtarite era

Main article: History of Belmonte § Pre-Ashtarite era
A prehistoric cave painting at the Mourinhos National Park near Cintra, in Juazeiro.
A native burial urn dated from 1000 BCE, present in the National Museum of Belmonte in Castelonovo.

The first archaeological evidence about the presence of the homo sapiens in Belmontese soil dates back to 60,000 thousand years ago, but permanent human habitations only exist for at least 10,000 years. The indigenous population was based around tribes which had an extended knowledge over pottery cultures and had a complex political system based around the image of the tribe's leader, the cacique, and its religious and spiritual chief, the pajé, along with societal ranks akin to a nobility system. Before the arrival of Duarte Bórgia's expedition in 1503, it is estimated that the indigenous population living in Belmonte was comprised of two million people, with the majority of them being part of two ethnolinguistic groups: the Tupi-Guaranis and the Macro-Jês. These two ethnolinguistic groups are divided into the Tupis, Guaranis, Jês, Tupinambás and Tupiniquins, which, in turn, are subdivided into smaller groups based on local cultural and societal differences.

Regarding their expertise on the region they lived in, the natives knew extensively about their local fauna and flora and lived through the subsistence of hunting, fishing and gathering, with tribal boundaries being demarcated through war. Slavery was widely practised, although under a different meaning than the used by Euclean powers, and religious rituals involving cannibalism was common. Religion was characterized by being polytheist with each tribe having its variations, while leadership was hereditary and decided among the tribe's warriors.

Colonial era

Main article: History of Belmonte § Colonial era
See also: Luzelese-Poveglian War and Ten Years' War
Discovery of Belmonte by Pedro Passos Guimarães, 1917.
Most part of the Belmontese population lived in small coastal villages during the first years of colonization.

Since the discovery of the Asterian continent by Assim Asteris in 1488, many Euclean major powers, including Luzela, launched several expeditions to colonize and explore the newly discovered lands. In 1503, after two failed attempts to colonize the Arucian, the Luzelese Crown decided to launch another expedition to the southern tip of the continent, being led by the admiral and explorer Duarte Bórgia. Bórgia's fleet, composed by 17 caravels, departed from Precea in January 1503 and, throughout the travel, lost 3 ships after a severe storm in the Vehemens Ocean, reaching the St Paul's Mount near Pinheiros six months later on June 29th.

During the 16th and 17th centuries, the Belmontese society was built around the image of the bandeirante.

The crew stayed in Belmonte and left a few days later, with other expeditions being launched in 1506 and 1509. At first, the crown didn't have any interest of populating the area but, after Hennehouwe and Esmeira started to proclaim land nearby (which is today Nuvania) as theirs, Luzela was forced to establish the first settlements in 1517, although true colonization only began two years later. In 1521, the colony was divided into captaincies and shared among the nobility, which was empowered to act as local governments. The colonization process was slow and costly, leading to further disinterest by the crown who gave more powers to the captaincies and religious orders such as the Jesuits to act autonomously. Slavery was officially introduced in 1532 to the natives, with the first black slaves from Bahia coming years later.

By the end of the 16th century, most of the Luzelese settlements were located entirely in the coast, with native attacks and slave revolts being a constant threat to the settlers. The own population, without the help of its metropole, launched several independent expeditions, called bandeiras, to expand its territory and explore mineral resources and to capture Indians to use them as a slave force. Over the years, the colonial society was shaped and based around the bandeirante and its figure. Although intense conflicts between Eucleans and Indians existed, miscegenation was widespread, contributing to the creation of an early Belmontese identity and people. After several bandeiras, the captaincies' territory grew and extractivist activities towards the local fauna and flora led to the creation of inland cities such as Castelonovo and Riachuelo as well as a surge in new inhabitants.

In 1683, after the Luzelese defeat at the Luzelese-Poveglian War, the country was forced to give some of its colonial holdings, including Belmonte, to Poveglia. The Poveglians kept some of the power to the bandeirantes and to the well-established elite and even allowed the continuation of the Luzelese language and culture in the colony, but it centralized power towards a new central government and launched efforts to make the region a trade outpost in Asteria Inferior, leading to the expansion of market towns and the establishment of a large commercial fleet, expanding the Vehemens slave trade.

The aftermath of the Ten Years' War and the Congress of Cislania made Gaullica, the major Asterian colonial power, annex Belmonte. Unlike the Luzelese and the Poveglians, the Gaullican colonial administration was widely unpopular among the population, fueling nationalist and illuminist movements in the country. The harsh oppression and high taxes were a reason for both the rural aristocracy and the lower classes to ignite a large-scale rebellion in 1764, thus starting the Asterian War of Secession.

Independence and confederation

Main articles: Asterian War of Secession and Confederation of Belmonte
Liberty being triumphant by Inácio Loya shows Belmontese troops standing victorious at the end of the Battle of Humaitá.
Rebel soldiers celebrating their victory after the Federalist Revolt.

Soon after the first uprisings in Belmonte and other Gaullican colonies through Asteria broke out, the rebels were organized into a single army composed by regional militias from the captaincies which were led by Sebastião Mascarenhas, Nuno Calixto and Clemente Bignoli, all of them being members of the rural aristocratic elite. The first years of the campaign were harsh for Belmontese revolutionaries due to the lack of ammunition and experience, but the tides of the war changed in 1766 with the Battle of Humaitá, where Belmontese soldiers defeated a major Gaullican army. The war would only end with the Treaty of Vicalvi signed 5 years later in 1771, with independence being guaranteed by Gaullica and other major world powers.

A confederation system of government was adopted and the Confederation of Belmonte was officially established, with Mascarenhas serving as its first captain-regent during the war and resigning soon after it ended. After his retirement, Bignoli succeeded him, expanding the Belmontese Navy and merchant activities, especially slave trade, throughout Bahia and the Asterias whilst giving power to merchants and rural oligarchs. He was succeeded by his aide Francisco Noronha, who was overthrown by liberal rebels in 1792.

The confederation was characterised by its autocratic oligarchic regime ruled by slave traders and the rural elite. This led to disaffection between former revolutionaries and members of the Armed Forces who fought for a democratic republic, causing the creation of the Liberal Party which supported a new constitution and a federal presidential system of government. In 1788, after crackdowns towards the liberal leadership, a series of low-ranking officers mutinied against confederal rule, erupting into the Federalist Revolt. After 3 years of civil war, the confederation was officialy abolished, and the First Belmontese Republic was established.

Republican era

Main articles: First Belmontese Republic and Second Belmontese Republic
See also: 1828 Coup, Durão's dictatorship, Belmontese Revolution, National Renovation Coup, and Berquó's dictatorship
The Belmontese Revolution ended Durão's authoritarian rule and sentenced him to exile.
Members of the National Congress ratifying the new constitution shortly after the revolution in 1836.

Following a provisional government responsible for enacting a new constitution and stabilize the country, the first elections were held in October of 1792, with revolutionary Jorge Aranha becoming the country's first president. During his tenure, Aranha consolidated liberal rule throughout Belmonte, created the bicameral National Congress, abolished slavery and expanded voting rights to literate males, causing him to be re-elected for a second term in 1796. During this time, the Belmontese society was realigned and passed through a series of reforms to solidify the new presidential system, incommodating the rural aristocratic classes. These elites would organize themselves as the Conservative Party years later, in 1801, after losing again to liberal candidate Zacarias de Moraes a year ago.

Failed military coups supported by conservative sectors of society made liberal leaders repress their activities, making Belmonte a de facto one-party state. Further oppression towards these conservative groups made by radical Presidents Felisberto Morais and André Mendonça plagued the country with economic and political instability until in the 27th of September of 1828 a military coup successfully removed President Plínio Veríssimo and put the conservative politician Joaquim Durão in charge, officially ending the First Republic.

Intended to be a provisional government, Durão closed the National Congress, cancelled future elections and abolished the 1792 Constitution, effectively becoming a dictator. His dictatorship was characterised by a state of perpetual unrest followed by violent responses towards the political opposition, with many former liberal politicians being forced to flee the country to avoid persecution. By 1836, however, his position became unsustainable, and a revolution led by General Augusto Cintra overthrew his government and sent him to political exile, establishing the Third Belmontese Republic.

João Berquó ruled Belmonte as a dictator for almost 20 years.

To avoid the errors that led to the end of the First Republic, conservative and liberal politicians met and created the Riachuelo Agreement, a political pact to ensure that the government would be led by one of the two parties and that their core interests would be protected, creating an oligarchic rotative system where both conservatives (nicknamed Caramurus) and liberals (nicknamed Moemas) would always stay in power, impending the creation and growth of other political groups. A new constitution was drafted the same year, establishing a parliamentary system of government and having Cintra as its first premier.

The stability of the Riachuelo Agreement made it possible for Belmonte to industrialize, with many landowners now investing in the construction of new factories and railroads, causing a massive immigration of Euclean peoples. Between 1867 and 1901, almost two million immigrants from Paretia, Etruria, Gaullica, Caldia and Werania went to work in Belmontese camps and factories, with another half million of Senrians, Miersans and Estmerish and Hennish people coming in the following years.

The rapid transition of Belmonte to an industrialized society caused social strife and dissatisfaction of the working classes towards the oligarchic regime, being met with police brutality in response. It was only in 1906, after a series of riots in the main cities, that premier Graciliano Gusmão broke out the agreement, leading to a political crisis with the dissolution of the Liberal Party into various radical and socialist parties who are unable to form a stable government. Between 1909 and 1913, eight different governments, most of them left-wing, were formed, causing panic among conservative circles. In 1913, the SBIO won both the presidency and premiership for the first time and, with the Great Collapse destroying the remnants of the Belmontese economy, a military junta took power and closed the National Congress, establishing a military dictatorship.

Claimed to be provisory, the emergency junta abolished all political parties and cracked down on socialists, communists and other left-wing radicals. Two years later, when the economic situation was stabilized, power was given through a rigged election to reactionary politician João Berquó, who would rule as a dictator for the next 20 years. Berquó unified far-right and ultranationalist groups under his party and banned any opposition, establishing a cult of personality around himself.

Great War

Main articles: Great War (Kylaris) and State of Belmonte
Belmontese soldiers during the Spring Offensive in 1933.
Members of the 27th Belmontese Infantry Regiment marching after the Battle of Belojardim.

Although the Berquó regime had various similarities with the functionalist powers, Belmonte declared its neutrality on the ensuing conflict after the Second Sakata Incident, but continued trading with both sides of the war. This, together with Belmonte's constant refusals to join the war as an Entente member, strategic geographical value and allegations of sending arms to the Aucurian National Redoubt Government, led to Operation Palmier, the invasion of Belmonte by Satucin and Nuvania, in February 7th 1932.

The Belmontese Armed Forces, which hadn't saw any combat since the end of the War of the Arucian, combined with the invasion day set at the height of the carnaval festivities, were crucial factors for the fast movement of Entente troops through Belmontese soil. Three weeks after the initial attacks, Castelonovo was declared an open city and the government set a national redoubt at the city of Paquatinga near the Aucurian border, with the entirety of the remaining army being relocated. In occupied Belmonte, an authoritarian collaborationist government led by functionalist politician Inácio Cohen was established by the occupying forces, but both Nuvanian and Satucin troops stayed for the defence of the new regime.

Soon after the occupation begun, a series of resistance movements, especially composed by democratic and communist groups previously against Berquó's dictatorship, were created, leading to the establishment of the Supreme Belmontese Military Council (CMBS in Luzelese) which would be responsible to orchestrate future resistance acts of both the government and resistance units.

The first three years of the front were characterised by low-intensity battles among the resistance and collaborationists followed by medium acts of terrorism and unrest against Nuvanian and Satucin forces. This would change in 1933, when a series of strategic attacks made by the Belmontese People's Front against Nuvanian targets became a crucial factor for the removal of their troops. During the moving of Nuvanian and Satucin troops, the government, in coordination with resistance cells, launched the Spring Offensive, leading to the total capitulation of Entente forces at the start of 1934.

Contemporary era

Main article: New Republic (Belmonte)
See also: Mauás' War
Júlio Lobato
Lourenço Bittencourt
Félix Bragança
Premiers Júlio Lobato (left), Lourenço Bittencourt (middle) and Félix Bragança (right) were the most influential politicians of the New Republic.

With the end of the Great War, Berquó's position in power became unsustainable after years of tensions with moderate conservatives and liberals, who demanded a return of the pre-1906 status of the Third Republic, and the Armed Forces, as they refused to maintain a dictator in power after spending years fighting the authoritarian regimes of the Entente.

In fact, Berquó had already lost power as early as 1933, when liberal-minded generals took total control of the CMBS whilst most of the country was under democratic and/or socialist resistance groups after the end of the conflict, but they decided to maintain Berquó in charge until new elections would be realized. However, after a coup from pro-Berquó sections of the military failed, these groups, now under the leadership of Júlio Lobato, decided to overthrow him in January 1935, with General Patrício Cunha leading a provisional government.

The end of the Berquó Era allowed the return of the opposition who fled to avoid persecution, causing a realignment of national politics as the National Republican Union (URN) became the major political party of Belmonte. A broad big tent party, the URN was mainly composed by former conservatives and liberals of the Third Republic together with Sotirian and social democrats, with those groups ending under conservative, liberal or progressive internal factions. A new constitution would be ratified, and the Fifth Belmontese Republic, also known as the New Republic, was established as a parliamentary republic akin to the Third Republic, with the first democratic elections since 1913 ending in a landslide for the URN and its leader Lobato, who become the country's first democratically elected premier, responsible for enacting a series of economic policies that relieved most of the economy.

The 1969 protests were responsible for the end of the Bittencourt's premiership and the decades-long URN dominance.

Lobato would step down in 1940 and was succeeded by Sílvio Behringer, who continued most of his policies but chose to not run for a second term in 1945 due to health reasons, with the progressive wing of the party being able to elect former resistance leader Cédrico Alvim as premier in a tense transition of power after a failed military coup. Alvim's government was characterised by the expansion of welfare services, nationalization programs and developmental policies under the PND, but internal tensions made him unable to continue as party leader in 1950, leaving the URN and founding the left-wing Social Democratic Party (PSD) soon afterwards. With most left-wing members leaving the party, the URN would establish itself as a conservative right-wing party in Congress, being able to maintain itself in power for the next years under a heavy anti-communist agenda.

In 1963, a series of terrorist attacks performed by the far-left group Belmontese Free Army led to the nomination of hardliner general Lourenço Bittencourt to the premiership, with the country entering an authoritarian phase which resulted in more crackdowns against the opposition - causing the Mauás' War - and the decrease of political and civil rights. It was only in 1969, with the murder of journalist Anderson Figlioli, that a series of protests caused the end of the 39-year URN dominance in national politics with premier Bittencourt's resignation.

The 70s were engulfed in social and political turmoil and a strong recession, with the political situation being stabilized in 1979 with the election of Félix Bragança as premier, who in turn established a series of nationalist left-wing policies, stepping down in 1990. It was only in 1993 that the URN came back to power under Jorge Castelo, returning to opposition years later in 1997 but coming back in the 2000 general election, staying in power for the next 15 years under three different premierships. In 2015, the PSD would come back to power under the leadership of Rita Maurino who became the country's first female premier, being reelected to another term in 2020.

Geography

Climate

Environment

Politics

Main article: Politics of Belmonte

Government

Main article: Government of Belmonte
See also: Cabinet of Belmonte, President of Belmonte, Premier of Belmonte, and National Congress of Belmonte
President Caetano Villa-Lobos
Caetano Villa-Lobos
President
Premier Rita Maurino
Rita Maurino
Premier

According to the Constitution, Belmonte is a federal parliamentary republic, with the president being the head of state whilst the premier is the head of government. The executive is formed by the president, the premier and the cabinet, the Council of Ministers. The president is the highest-ranking officer in Belmonte and the commander-in-chief of the Armed Forces, being elected through the popular vote for a five-year term that could be expanded once. Although it holds most ceremonial functions, it's the responsibility of the president to convoke new general elections, appoint and dismiss the premier and its cabinet, enact new laws, appoint ambassadors, represent Belmonte on the world stage, issue pardons and others. It's expected that the president must act non-partisan when dealing with government issues and has as its advisory boards the State Council and the National Defence Council.

Paranhos Palace, seat of the National Congress.

The premier is responsible for lead the Federal Government and the cabinet and is appointed by the president after general elections, being the leader of the party with the majority of seats in Congress. The premier needs parliamentary support to govern and must resign or declare new elections once this confidence is lost.

The legislative power is vested over the National Congress, which is the national legislature of Belmonte. As a bicameral parliament, the Congress is divided into the Chamber of Deputies and the Senate. The Chamber of Deputies is the lower house of Congress, being composed by 206 deputies elected for a renewable term of 5 years through a closed party-list proportional representation system. The Senate is the upper house, being composed by 35 senators elected through a single transferable vote system, with the role of representing all provinces.

Belmonte has a multi-party system, with various political parties exerting significant influence over the national political scene. The three biggest parties are the centre-left Social Democratic Party (PSD), the centre-right National Republican Union (URN) and the left-wing Socialist Bloc (BS), with other major parties being the Sotirian Democrats, Citizens' Alliance, People's Centre Union, Belmontese Section of the Workers' International, Green Party and the National Movement.

Administrative divisions

Main article: Administrative divisions of Belmonte
Regions of Belmonte:
  North
  Centre
  South

As a federation, Belmonte is divided between seven provinces. These provinces are within major subdivisions called regions, subdivisions that, despite don't having any political power, were created to assist in the interpretation of statistics and help the Federal Government in enforcing regional policies. All provinces have its constitutions and governments, with the executive being lead by the province’s governor, the legislative by the legislative assemblies and the judiciary by regional courts. The second and lowest level of administrative divisions are the municipalities, which are led by a mayor and has as its legislature the municipal chambers.

The first administrative divisions were adopted during colonial times by Luzela, which divided Belmonte intro three captaincies: Anchieta, Laranjeiras and Juazeiro. These captaincies would be donated to private landowners, all of them from the Euclean aristocracy, to develop the region. Soon after time, these captaincies would become in charge of more responsibilities such as defence and trade, resulting in their expansion as the colony grew. This system was briefly extinguished during the Gaullican rule of the region, but it was re-established with the declaration of independence and the creation of the Confederation of Belmonte. After the Federalist Revolt and the establishment of the First Republic, the captaincies were officially dissolved, with provinces being created but having their borders based on the previous boundaries.

Mapa belmonte.png
  1. Federal Capital
  2. Anchieta
  3. Piratini
  4. Favônia
  5. Laranjeiras
  6. Juazeiro
  7. Pindarama

Judiciary and law enforcement

Main articles: Judiciary of Belmonte and Law enforcement in Belmonte
The Supreme Court's plenary.
Members of the Special Operational Division of the Federal Police during a training.
Civil Guard cars.

Belmonte has a codified legal system based on the civil law, an Luzelese judicial heritage, and has as its fundamental law the Constitution, which has been amended 17 times since its promulgation in 1935. Provinces and municipalities also have their constitutions, but they couldn't contradict federal law. The highest national court is the Supreme Court, which acts as a court of last resort and as a constitutional court. The legislation also allows the creation of regional courts to federal subdivisions, being subject to provincial law.

The Civil Guard is the law enforcement agency of the country, being under the responsibility of provincial governments with federal assistance through the National Public Security System. With 100,000 officers, the Civil Guard is one of the biggest law enforcement agencies of the Asterias and acts as a preventive, detective and forensic police force. Other law enforcement agencies are the National Force, which is under federal responsibility and is used in cases of national unrest to restore public order, and the Federal Police, which is responsible for combating crimes against federal institutions, drug trafficking, terrorism, organized crime and others.

The National Information Service is the national intelligence agency of Belmonte, being in charge of espionage and counter-espionage activities.

When compared to international levels, Belmonte has above-average levels of violence, with CON and ICD reports showing a homicide rate of 12 deaths per 100,000 inhabitants in 2019. Homicide levels have been decreasing since the turn of the century except for a violence outbreak in 2003, year which remains as the most violent one in history. Currently, the Belmontese prison system is under a major crisis due to its overcrowding, having a shortfall of almost 100,000 accommodations.

Foreign policy

Main article: Foreign relations of Belmonte
Bacaruty Palace, seat of the Secretary of Foreign Affairs.
bruh some old plane

Belmontese foreign policy is based on the principles of non-interventionism and international cooperation with nations and foreign institutions, principles which have been used since the establishment of the New Republic. Since the end of the Great War, Belmonte has as its most important allies Marchenia, the North Vehemens Organization and the Euclean Community, and has been a major sponsor of bigger integration among Asterian countries. Due to its opposition against South-South cooperation and support for Northern Powers, many specialists see Belmonte as a middle power due to its efforts of impending a Satucin-based hegemony in Asteria Inferior.

Currently, Belmonte is a member-state of the Community of Nations, the Asteria Inferior Common Market, the International Council for Democracy, the International Trade Organization and the Global Institute for Fiscal Affairs.

Military

Main article: Belmontese Armed Forces
Soldiers of the Belmontese Army in a military parade.

The Belmontese Armed Forces are divided into three branches: the Army, the Navy and the Air Force. Together, they have a personnel of 175,000 people, both active and reserve soldiers, one of the smallest of Asteria Inferior. Conscription was officially disbanded in 1973 and is in no longer use since then. Since the last time Belmonte was invaded was during the Great War in 1932, the Armed Forces shifted most of its operations to anti-terrorist activities and humanitarian missions worldwide, being present in various CON-mandated peacekeeping missions.

The Army is the biggest and most powerful of the three branches, having a total of 75,000 soldiers by 2019. The Navy is the second biggest branch of the Armed Forces, being considered to be a green-water navy capable of performing military activities beyond the national exclusive economic zone. Most of its components are made of corvettes and is one of the few navies in the Asterias who has an aircraft carrier - the MB Bórgia. The Air Force has about 200 manned aircraft in service, being currently under a modernization program.

Economy

Energy

Infrastructure

Tourism

Demographics

Population

Race and ethnicity

Immigration

Religion

Health

Education

Science

Urbanization

Culture

Main article: Culture of Belmonte

Architecture

Main article: Belmontese architecture
Cláudio Bachlechner, Belmonte's most famous architect.
Clockwise from left to right: baroque buildings in São Caetano, Anchieta; the eclectic Amindas Residence in Sabugosa; the Art Noveau Carvalho Building in Riachuelo and the modernist Aranha Building in central Castelonovo.

Belmontese architecture was largely inspired by Euclean trends throughout its history, only starting to develop its own variations after the Great War. During colonial times, Belmontese buildings were based on the baroque and rococo architectures and the concept of few external designs and heavily decorated interiors. Both forms were mainly used by the Church and Jesuit missions located there, becoming widely used by the civilian population at the time soon after.

The two genres remained popular until the second half of the 19th century, when it started to be replaced by neoclassicist and eclectic styles. During the late 1910s and early 1920s, eclecticism started to be slowly replaced by the Gaullican Art Noveau and Art Decó, but they were never truly accepted as mainstream due to the outbreak of the Great War.

After the war, many artists came back to Belmonte, starting the modernist movement of the country. Modernist architects such as Cláudio Bachlechner, Luís-Eustáquio Diniz and Margarete Saval became the most known architects of the time, being responsible for projecting numerous works during the reconstruction era between the late-1930s until the early-1970s. The URN-dominated government, although conservative, funded modernist art to present Belmonte as a contemporary country, causing a total rejection of previous architectonic styles during this period.

By the 1990s, postmodern trends started to achieve more predominancy, however, modernism still remains extremely influential, leaving a huge mark that defined a large fraction of the national cultural identity.

Music

Main article: Belmontese music
Maurício Sobral
Clockwise from left to right: Ricardo Alvim, bossa nova's most known artist; Maurício Buarque, one of the leading singers of the tropinova in the late-60s; Guaxinim during a live concert.

Belmontese music is known for its diverse origin and influences that came from several parts of the globe. Classical music was brought by the Luzelese nobility and Jesuits, being initially of baroque and sacred origin. It was only after the Federalist Revolt that new orchestras and conservatories were established, with many composers transitioning to romanticism by the 1850s and 1860s. Romanticism started to be slowly replaced by more progressive and nationalist trends over the turn of the century, with this era being marked by the works of Maurício Sobral and Lauro Sotiras. After the Great War, classical music started to be influenced by more contemporary trends.

The first Belmonte popular manifestations were the Euclean-based modinhas and the Bahian-inspired lundus. Over time, both genres evolved into serestas and, when the country started to industrialize and receive immigrants at the beginning of the 1850s, foreign Euclean music and dance such as waltz, polka, xote and tango became widespread, with the junction of them originating the choro in the late 1880s and early 1890s.

From choro, samba was created at the beginning of the 20th century, becoming centred among black communities in Ípsia, with the genre founding its height in popularity during the 30s and 40s. As the 50s progressed, a new genre evolved out of samba - the bossa nova - which sought to add jazz elements to the music, creating a more urban sound. The genre found itself in the middle of international recognition in the 60s under the voice of Ricardo Alvim and his song The Girl from Atalaia. Together with other artists such as Lira Duarte and Olavo Farias, the rhythm reached worldwide popularity.

Inspired by the protests and revolutionary fervour of the late-60s, the tropinova movement and its subsequent genre were born, mixing folk, bossa nova and samba with a more psychedelic and tropical sound, having as its most famous singers Maurício Buarque, Jorge Mourinho, Eleonor Cruz and Gil Nkosi, while Guaxinim introduced rock n' roll to broad Belmontese audiences for the first time. The late 70s and early 80s saw the continuation of the popularization of rock music under post-punk and new wave influences, with bands such as Saturno, Excelsior, Longe das Capitais, Enfant, Arquitetos de Imágua and L'eau becoming widely popular. By the turn of the century up to present times, the Belmontese musical scene diversified, with the 2010s seeing a surge of indie rock, electronic, rap, trap and pop music.

The annual Castelonovo Music Festival, one of Belmonte's largest music festivals

Literature

Main article: Belmontese literature
Aldo Paes
Gregório Assis
Aldo Paes (left) and Gregório Assis (right)

Belmontese literature started with the consolidation of Jesuit missions in the colony, with the local literature, at the time influenced by religious dogmas, starting to shift into more baroque trends, however, it was only after the establishment of the First Republic that new schools of thought and artists appeared on the national scene. Baroque started to be replaced by romanticism in the 19th century and, over time, indianism was created, having a strong progressive and nationalist tone that promoted indigenous values and culture, having Aldo Paes's romances Tupi and Iandara as the subgenre's biggest works.

By the late-1870s and early-1880s, romanticism started to be substituted by realism, with the genre itself becoming widely known thanks to Gregório Assis and his books Bento and Obituary, leading him into universal acclaim as Belmonte's greatest writer. Realism continued to be the main Belmontese literary doctrine up to the 1930s with the proliferation of modernist and avant-garde movements in the country. By the 80s, the modernist school would start to be replaced by postmodern trends.

Cuisine

Cinema and theatre

Visual arts

Sports

See also

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