Tualcacán

Tualcacán
1335–1633
Symbol of Tualcacán
View of the Great Temples in Tualcacán
Painting of Tualcacán Ceremonial Center
Capital	Tualcacán
Common languages	Quepec
Religion	Tuachec religion
Government	Monarchy
History
• Foundation	1335
• Formation of the Tuachec Empire	1400
• Destruction due to the Iberic conquest of Tualcacán	1633
Population
• Estimate	200,000
Succeeded by Kingdom of Pecario

Tualcacán was a large Tuachec town in what is now the historic center of Santa Borbones. The exact date of the founding of the city is unclear, but the date 13 March 1335 was chosen in 1935 to celebrate the 600th anniversary of the city. The city was built next to what was then Lake Chacamaco in the Valley of Santa Borbones. The city was the capital of the expanding Tuachec Empire in the 14th century until it was captured by the Iberics in 1633. At its peak, it was the largest city in the pre-colonial Mesothalassa. Today, the ruins of Tualcacán are in the historic center of the Pecarian capital.

Etymology

Tualcacán can be interpreted as "The Sacred Place". The prefix "Tual" evoke something sacred in the Quepec language, referring to the city's importance as the seat of the empire. The suffix "cacán" can be associated with terms meaning "place" or "center," thus emphasizing the central nature of this city in the Tuachec Empire.

The City

The city was a jewel of pre-colonial Mesothalassa architecture. The city was centered around a large square dominated by three grand sacrificial temples. The paved streets were lined with houses adorned with colorful frescoes and elaborate sculptures, showcasing the artistic talent of the Tuachec. Aqueducts and sophisticated drainage systems testify to their expertise in hydraulic engineering, ensuring the water supply and irrigation of the surrounding agricultural lands. The sight of the city inspired admiration even among the Stillian conquistadors.

When we set foot on this unknown land, our eyes bore witness to an unparalleled marvel. Towering pyramids ascended like fingers reaching for the heavens, testaments to the grandeur of this strange and unknown civilization. It was the work of skilled architects, not the savages our men had been battling until then. The cobbled streets echoed with the murmur of the inhabitants, dressed in rich fabrics of vibrant colors, symbols of an unrivaled mastery of textile art.

Christiano Davegga in Chronicles of the New Wurld